Message on literature "The Theme of Love in the Works of S. Yesenin"

The theme of love runs like a red thread through all stages of the creative path of the great Russian poet. Sergei Aleksandrovich Yesenin seemed to put a piece of his soul into every line he composed, expressing sincere love for his native land, for nature, for people. His feelings, experiences, thoughts are close to every reader. That is why Sergei Yesenin’s lyrics to this day remain beloved and revered among representatives of different generations.

From the very beginning of his creative career, the image of his native land was firmly entrenched in the poet’s lyrics: beloved and irreplaceable, warming the heart in the most difficult times. Rural life, Russian folklore, girlish laughter and the beauty of Russian nature - all this inspired the poet, thanks to which many wonderful works were born.

Love for his native land became the main theme of the poet’s work. In the poem “The hewn horns began to sing,” warm, sincere love has a slightly sad tint, but in the famous “Go, my dear Rus',” Yesenin expresses delight, joy and devotion to the Motherland. Sergei Alexandrovich did not like city life, but praised only what was close to nature, to the origins of the culture of the people. In his later works, such love is expressed in regret for the departed, as well as in contempt for godlessness and reluctance to live according to the new laws of society (“Return to the Motherland”, “Soviet Rus'”).

Love for Russia closely echoes in Yesenin’s lyrics with love for his mother. The famous poem “Letter to a Mother” is a tense lyrical monologue. In this letter-message, using colloquial vocabulary, vernacular, jargon, metaphors in combination with a high book style, the author expresses many feelings that overwhelm his vulnerable heart: anxiety, pain, tenderness, trust, melancholy. And this is not surprising, because sometimes only a mother can be trusted and opened up.

Yesenin’s philosophical lyrics reveal a love for the animal world. The tragic poem “The Fox” shows how ruthless people are towards defenseless animals. In the works “Cow” and “Song of the Dog” the author conveys tragedy through the perception of the animals themselves. For the poet, the animal world is an important part of nature, part of his native land, which means it is impossible not to love it.

Sergei Yesenin's love lyrics are filled with both joyful and sad feelings. Many poems are dedicated to a specific woman. Despite the fact that the fair sex did not deprive the talented poet of attention, and he himself was married three times, Yesenin’s love poems are mostly tragic in nature. These are “Letter to a Woman”, “You don’t love me, you don’t regret me”, “Well, kiss me, kiss me” and others.

For a poet, love becomes not just a source of inspiration, but also the meaning of life. This is manifested in all areas of his work, filled with a range of truly human feelings that Sergei Yesenin himself experienced and which every person experiences after becoming acquainted with his lyrics. The poet sang sincere, pure, sublime love, and, for sure, believed that it was she who would overcome all sorrows and adversity.

Essay Love in the works and lyrics of Yesenin

The great poet, who was born in Russia at that time, was very talented. Yesenin, since it was he, from the very moment he began to write his beautiful works, put his whole soul into them. He loved his land, loved his family, and also often had exalted feelings for just all the people on earth, since he was a bit of a humanist. When he wrote about something, about his feelings, or about anything else, he addressed all his emotions that he conveyed in the lines to his readers.

Love was the most important theme in all of Yesenin’s works. Because, as mentioned above, he was very humane, that is, he loved people, nature and everything around him, and did not hate the whole world, as is sometimes pursued by some poets and writers. But most of all, he probably loved his own land - so beautiful, so prosperous, all the nature around him, so romantic and mysterious.

For Yesenin, his native land was a very important factor in life, which is why he often mentions the nature around him in his poems, describing all its beauties, as well as the emotions and feelings that he has towards it. That is why, reading his works, my soul somehow becomes more joyful, much sweeter. You begin to imagine this seemingly unearthly land - so dear to the poet. Nature has always been dear to the poet Yesenin. After all, even she was like a lively hero in his poems. She lived, felt pain, joy and peace.

Sometimes in Yesenin’s works such emotions as sadness and grief in relation to the nature of Rus' are pursued. It turned out that Yesenin did not always express delight and joy; sometimes sadness, and even sometimes pain, slips into his lines in poems.

In addition to the theme of love for nature, Yesenin expressed in his works his love for Rus', so majestic and at the same time simple. For the sensitive poet, Russia was identified with the image of a mother, tender and loving. That is why Yesenin sometimes grieves that the past is gone and will never return.

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Yesenin reveals himself in his poems. It gives everyone who reads the poems the opportunity to look directly into the soul of one of the most brilliant people in Russia at that time.

Biography of the poet

Sergei Yesenin (October 3) in 1895 in the Ryazan province, and died on December 28, 1925 in Leningrad. All his life he passionately loved his homeland, which, of course, can be seen in many of his poems. The country inspired his lyrics.

Residents of Russia became heroes in poems. Often he described simple peasant life.

Unlike Nekrasov, Sergei Alexandrovich knew firsthand about peasant problems, since he himself was in the same position.

Fate was favorable to him, and in 1904 the boy went to learn the basics of science at the Konstantinov Zemstvo School. Then he continued his studies at a parochial school. Having finished it, Yesenin packed his things and moved to Moscow. There he first worked in a butcher's shop, then in a printing house. At the same time, he did not forget about training. He was a volunteer student at the People's University. Shanyavsky, where he attended courses in history and philosophy.

The beginning of poetic life

Working in a printing house made it possible to meet writers and poets who came to publish. His first poems were published by the magazine “Mirok” in 1914. He was not embarrassed by the fact that he had to write on a children's theme. Love in Yesenin's lyrics appeared later.

In 1915, Gorodetsky and Blok heard it for the first time. A year later he was drafted into the army. There was a war during which he became a nurse. At the same time, his first collection of poems, “Radunitsa,” was published, which brought him popularity.

Yesenin was loved by Empress Alexandra Feodorovna and her children. He spoke to them in Tsarskoe Selo.

New era

In the early 20s, young Sergei Alexandrovich discovered imagism and became its representative.

After a trip to Central Asia, I became interested in oriental motifs, songs, and poems.

In the twenty-first year, an event occurs that changes his life. He falls in love with Isadora Duncan, a dancer, whom he marries six months later. After the wedding, they went abroad and spent there. The couple stayed in America for four months.

Soon after returning, the marriage broke up.

Yesenin devoted himself to publishing and a small bookstore. He traveled a lot until his death.

Last years

In recent years, several criminal cases have been filed against him for fighting, drunkenness, and indecent behavior.

The Soviet government tried to support Yesenin, considering him a genius of that time. Rakovsky advised Dzerzhinsky to send the poet to a sanatorium, where he would be cured of drunkenness.

In 1925, Sergei Alexandrovich was forced to go to the hospital. But in December of the same year, he checked out, took all the money from his savings and left for Leningrad. There he met with prominent writers and writers and lived in an expensive hotel.

Yesenin suffered from depression. And in the same hotel, after writing a couple of lines of a new poem, he hanged himself.

The theme of love in Yesenin's lyrics

Sergei Alexandrovich was not just a poet, he was an artist and even a musician. Such a sensual nature of the artist suffered from loneliness. He was married three times. He changed one mistress after another. Not a single one brought him the long-awaited happiness.

But all of them were at one time a revelation for the poet. Each one became a muse.

The theme of love in Yesenin’s lyrics was not similar to the same experiences of others. The author made it relevant and very intimate.

This theme began to sound from the very beginning in his poems. In the first works stylized as folklore, such as “Imitation of a Song,” he enjoys the desire to be loved, the opportunity to steal a girl’s kiss. The poem is more reminiscent of a lyrical tune.

Young love in the works of Yesenin

He dedicated his first works to Anna Sardanovskaya. In them, Yesenin anticipates the joy of the upcoming meeting.

The theme of love in Yesenin’s work later began to be mixed with admiration for the nature of his country. He endows flowers, trees, and natural phenomena with characteristic female forms. For example, he compares Kashina to an innocent young birch tree. The moon combs her long braids. And at the same time, the poem talks about how a shepherd boy comes to a tree, which turns metaphorically into a girl. He hugs her bare knees. But these courtships are innocent.

Yesenin’s book “Poems about Love” is also imbued with chaste feelings. It did not receive due attention and was not published. And then the theme of love in Yesenin’s poems began to transform. She has changed.

Yesenin at the crossroads

His mood changes in the Moscow Tavern. Not only did Yesenin experience difficulties on a personal level. Russia was changing. A completely new state arose, with different moral values. It seemed to him that no one else would need his work.

At the same time, the poet began to seek solace in alcohol. He tried to drown out the pain, and he felt better for a while. Since then, Yesenin could not deny himself.

Drunk on wine, he lost his innocence of views. The poet writes a “Letter to a Woman,” which became his confession, a confession that he gets drunk because of suffering.

The theme of love in Yesenin’s work henceforth turns from a divine sign into a plague, into a disease. And he becomes a cynic, seeing only the carnal manifestations of something previously holy.

The women turn into a pack of dogs, ready to kill him. But at the end of the poem, the poet describes being unable to hold back his tears and asks for forgiveness.

Sergei tries to drown out his own pain with love. The theme of love in Yesenin's poetry becomes a medicine. And again his works become inspired and full of hope.

New love

He has a new muse - Augusta Miklashevskaya. She heals Yesenin and gives him the opportunity to create. The poet gives birth to a cycle of poems, “The Love of a Hooligan.” He again idealizes a once hated feeling.

A striking example of this period of life can be called the verse “A blue fire swept across.” Yesenin assures that for him this feeling arose as if for the first time, and now he does not want scandals and quarrels. Alcohol is forgotten. Life took on bright colors. The theme of love in Yesenin’s lyrics has changed. The poet compared himself to a bully who had been tamed.

Augusta became his new meaning. He even compared her to the Mother of God.

And in 1924, the poet entered a new phase in his life. He meets another muse, Shagane, in Batumi. The lyricist dedicated many poems to her. For her he created “Persian Motifs”. They all seem like one recognition of their feelings.

He wrote that he did not know Persian, but the language was not a hindrance. The theme of love in Yesenin’s poetry is clear to everyone. In this collection, a bright feeling is mixed with nostalgia for one’s home.

There are two sides fighting in it. One of them is crazy about a girl, the second cannot leave her homeland.

Final chords of the lyrics

Yesenin, after many attempts to find love, is finally disappointed in it. The last verses are more imbued with hatred of bright feelings, irony, and cynicism. He notices only insincerity in the female sex, sees its cunning. In one of the poems, Yesenin calls ladies empty.

Until the last moment, he believed that he could meet his dream, his true feeling. He wanted to see the ideal. In the poem “Leaves are Falling, Leaves are Falling” there is not so much despair as a desire to be loved, to surrender to love, to meet a pure girl with whom you can live until the end of your days. Yesenin wanted to calm down. And he was looking for one who could heal the wounds of the poet who had seen a lot.

Yesenin's lyrics convey to readers the full and genuine range of his feelings. There are no lies in it. It fully corresponds to the biography of the poet. All his emotions were poured out onto paper. It seemed that Yesenin was not hiding anything from others. He lived like an open wound.

Perhaps this is why his poetry still remains so relevant. She will always be popular, loved by many. After all, he spoke for people and about human feelings.

The poet understood this. The theme of love in Yesenin’s lyrics is accessible and understandable to everyone. Everyone experiences it. Most suffer from some kind of problem.

Love for Russia

There are different types of love lyrics. It can be addressed to relatives, to loved ones, or it can apply to the whole state.

Yesenin was a favorite poet for the imperial family, and later became a national treasure in Soviet society. How could this happen?

The whole point is that he spoke a common language with the people. The theme of love was filled with appreciation for one's country. He sacrificed his personal happiness more than once for her sake.

More often than not, the Motherland reciprocated his feelings.

Sergei Alexandrovich once noticed that all his lyrics live only thanks to his love for Russia. In his poetry this name appears perhaps more often than all the others.

Yesenin never tired of making confessions of his feelings for Rus'. This love formed the basis of all his life's deeds. She turned out to be stronger than the poet himself.

Everything that Yesenin felt, that surrounded him, was the Motherland. It was difficult for him to separate one topic from another. Love for one's state was intertwined with other plots. Very often she was combined with female images and became even more personal.

For example, in his lines about autumn, a girl is described, “drunk” by others, with fatigue in her eyes.

The nature of Russia has always been something alive for Yesenin, with soul and heart. Animals and trees, seasons become as important as the images of women.

Perhaps it was only this beauty, the tenderness of the environment that for a long time held back the depression that Sergei Yesenin experienced. The topic became his outlet.

Poet and politics

He was not blind in his love. Sergei Alexandrovich saw the depravity of the peasants’ work, their difficult life. became an unprecedented achievement and progress for him. He hoped for change.

Yesenin is disappointed that it is not the Socialist Revolutionaries who come to power, but the Bolsheviks, and they cease to be interested in culture.

Over time, the poet made attempts to come to terms with and fall in love with the new government. He almost succeeded after a trip to America. But later poems indicate that he perfectly remembers the times when power belonged to the monarchy, and it is difficult for him to keep up with progress.

The theme of love occupies an important place in Yesenin's lyrics. Yesenin's early work is dedicated to Russia, to the praise of his native lands. Yesenin’s poems are a reflection of the beauty of Russian nature, the rural life of the people. His poetry was close to different sections of society because he wrote about what concerns society. The theme of love for the Motherland is the basis of many of the poet’s works. These two themes merged together in the poet’s lyrics.

(“Oh Motherland!” “Where are you, where are you, father’s house...”)

The poet admired the nature of Russia, its endless fields and meadows. Many poems about nature became texts for songs. (“Beloved land! My heart dreams...”) He embodied the image of a woman through natural phenomena, endowing flowers and trees with characteristic female forms. Early lyrics are characterized by folklore motifs. The lyrical hero enjoys beauty, he is young and ready to love. Thus, Yesenin dedicated his first works to Anna Sardanovskaya. In them, Yesenin anticipates the joy of the upcoming meeting.

Changes in the country were reflected in the poet's lyrics. Love lyrics become more frank, filled with emotions. ("Letter to a Woman")

The cycle of poems “Love of a Hooligan” is dedicated to Augusta Miklashevskaya. Love again becomes a pure and bright feeling. The lyrical hero in the work was able to overcome himself and rediscover love.

In 1924, Shagane became the poet’s muse, to whom he dedicated “Persian Motifs.” The poem expands the boundaries of love; in order to love you do not need to know the language. The poet separates this feeling from the material world, love is a state of mind.

The poet's late lyrics are a reflection of the poet's disappointments and unfulfilled hopes. Yesenin no longer admires bright feelings, he sees insincerity in women. The poet was never able to find his ideal. At the end of his life in 1925, Yesenin wrote a poem

"Leaves are falling, leaves are falling." This work is a disappointment in love, in fidelity.

Yesenin's poems are a reflection of his personal experiences. Love lyrics show the poet's life path, changes in his worldview and ideals. Yesenin is a mysterious person. The saying: “All life is a theater, and the people in it are actors” reveals the essence of the poet’s character. He had many faces and was particularly sensitive, which is why his works are so sincere.

February 18, 2015

Yesenin reveals himself in his poems. It gives everyone who reads the poems the opportunity to look directly into the soul of one of the most brilliant people in Russia at that time.

Biography of the poet

Sergei Yesenin was born on September 21 (October 3) in 1895 in the Ryazan province, the village of Konstantinovo, and died on December 28, 1925 in Leningrad. All his life he passionately loved his homeland, which, of course, can be seen in many of his poems. The country inspired his lyrics.

Residents of Russia became heroes in poems. Often he described simple peasant life.

Unlike Nekrasov, Sergei Alexandrovich knew firsthand about peasant problems, since he himself was in the same position.

The beginning of poetic life

Yesenin was loved by Empress Alexandra Feodorovna and her children. He spoke to them in Tsarskoe Selo.

New era

In the early 20s, young Sergei Alexandrovich discovered imagism and became its representative.

After a trip to Central Asia, I became interested in oriental motifs, songs, and poems.

Soon after returning, the marriage broke up.

Yesenin devoted himself to publishing and a small bookstore. He traveled a lot until his death.

Last years

In recent years, several criminal cases have been filed against him for fighting, drunkenness, and indecent behavior.

The Soviet government tried to support Yesenin, considering him a genius of that time. Rakovsky advised Dzerzhinsky to send the poet to a sanatorium, where he would be cured of drunkenness.

Yesenin suffered from depression. And in the same hotel, after writing a couple of lines of a new poem, he hanged himself.

The theme of love in Yesenin's lyrics

But all of them were at one time a revelation for the poet. Each one became a muse.

The theme of love in Yesenin’s lyrics was not similar to the same experiences of others. The author made it relevant and very intimate.

Young love in the works of Yesenin

He dedicated his first works to Anna Sardanovskaya. In them, Yesenin anticipates the joy of the upcoming meeting.

Yesenin at the crossroads

At the same time, the poet began to seek solace in alcohol. He tried to drown out the pain, and he felt better for a while. Since then, Yesenin could not deny himself.

Drunk on wine, he lost his innocence of views. The poet writes a “Letter to a Woman,” which became his confession, a confession that he gets drunk because of suffering.

The theme of love in Yesenin’s work henceforth turns from a divine sign into a plague, into a disease. And he becomes a cynic, seeing only the carnal manifestations of something previously holy.

The women turn into a pack of dogs, ready to kill him. But at the end of the poem, the poet describes being unable to hold back his tears and asks for forgiveness.

Sergei tries to drown out his own pain with love. The theme of love in Yesenin's poetry becomes a medicine. And again his works become inspired and full of hope.

New love

Augusta became his new meaning. He even compared her to the Mother of God.

There are two sides fighting in it. One of them is crazy about a girl, the second cannot leave her homeland.

Final chords of the lyrics

Perhaps this is why his poetry still remains so relevant. She will always be popular, loved by many. After all, he spoke for people and about human feelings.

The poet understood this. The theme of love in Yesenin’s lyrics is accessible and understandable to everyone. Everyone experiences it. Most suffer from some kind of problem.

Love for Russia

There are different types of love lyrics. It can be addressed to relatives, to loved ones, or it can apply to the whole state.

Yesenin was a favorite poet for the imperial family, and later became a national treasure in Soviet society. How could this happen?

The whole point is that he spoke a common language with the people. The theme of love in Yesenin’s works was filled with gratitude for his country. He sacrificed his personal happiness more than once for her sake.

More often than not, the Motherland reciprocated his feelings.

Sergei Alexandrovich once noticed that all his lyrics live only thanks to his love for Russia. In his poetry this name appears perhaps more often than all the others.

Yesenin never tired of making confessions of his feelings for Rus'. This love formed the basis of all his life's deeds. She turned out to be stronger than the poet himself.

For example, in his lines about autumn, a girl is described, “drunk” by others, with fatigue in her eyes.

The nature of Russia has always been something alive for Yesenin, with soul and heart. Animals and trees, seasons become as important as the images of women.

Perhaps it was only this beauty, the tenderness of the environment that for a long time held back the depression that Sergei Yesenin experienced. The theme of love for nature became his outlet.

Poet and politics

He was not blind in his love. Sergei Alexandrovich saw the depravity of the peasants’ work, their difficult life. The February Revolution became for him an unprecedented achievement and progress. He hoped for change.

Yesenin is disappointed that it is not the Socialist Revolutionaries who come to power, but the Bolsheviks, and they cease to be interested in culture.

Lesson topic: The theme of love in the lyrics of S.A. Yesenin

The purpose of the lesson: to introduce students to the poet’s love lyrics, to help understand the inconsistencies of S. Yesenin’s love lyrics at different stages of his work.

During the classes.

Dear guests, guys, hello!

Today we have an unusual lesson - a literary cafe lesson. Thanks to our shared creative imagination, our office was transformed into a literary cafe by Sergei Aleksandrovich Yesenin

Of course, the theme of love has interested people in all centuries, at all times, and has left almost no one indifferent. And how could it be otherwise, without love there would be no life.

The topic of our lesson is on the board. As an epigraph, I offer you the words of Sergei Yesenin.

“I never lie with my heart,” Yesenin said about himself. Indeed, his works are unusually piercingly sincere. The Russian soul itself rings in them, rejoices, yearns, rushes, and “goes through torment.” The subject of our conversation will be Yesenin's poems about love.

In its development, Yesenin’s love lyrics pass through four seasons:

1.spring (1914-1917)

2.summer (1917-1919)

3.autumn (1919-mid 1025)

4.winter (second half of 1925):

Accordingly, the class is divided into four groups. The first group studied Yesenin’s love lyrics of 1914-1917 – the “spring” period; each prepared a reading by heart and a written analysis of one poem by the poet of this period. The second group represents the “summer” of love lyrics, the third group represents “autumn,” and the fourth represents “winter.”

Let's open our notebooks and write down the date and topic. And we will note the stages of development of love lyrics, as well as their features.

Love lyrics touch on the most intimate, intimate aspects of a person’s life. Many themes are inextricably linked with the theme of love. This means that in love lyrics the poet can express himself, his contemporaries, and the world around him. By its nature, lyric poetry is autobiographical. In October 1925. , talking about himself, the poet noted: “As for the rest of the autobiographical information, they are in my poems.” Therefore, revealing the theme of love, we will turn to the biography of the poet.

Love motives arose in the poet’s student debuts, in the second year of his stay at the church-teachers’ school in Spas-Klepiki. And Yesenin was inspired by Anna Sardanovskaya, the sister of his friend. So, word to group 1.

1 group

With Anna Sardanovskaya Yesenin made friends even before leaving for Spas-Klepiki. Coming to his native village in the summer, he often met with her. Konstantinovsky old-timers remember how “one summer evening, Anna and Sergei, flushed, holding each other’s hands, ran into the priest’s house and asked the nun who was there to separate them, saying: “We love each other and in the future we promise to marry.” Break us apart. Let the one who first cheats and gets married, let the second one beat him with brushwood.” Anna was the first to break the “agreement”. Having arrived from Moscow, Yesenin wrote a letter, asking the same nun to give it to Anna, who after her marriage lived in a neighboring village. She, handing over the letter, asked: “What is Seryozha writing?” Anna said with sadness in her voice: “He, mother, asks you to take a bunch of brushwood and beat me as much as you have the strength.”

Yesenin dedicated the poem “Beyond the Mountains, Beyond the Yellow Valleys...” to Anna Sardanovskaya.

Behind the mountains, behind the yellow valleys

A trail of villages stretched out.

I see the forest and the evening flames,

And a hedge entwined with nettles.

There in the morning above the church domes

The heavenly sand turns blue,

And the roadside herbs ring

There is a water breeze from the lakes.

Not for the songs of spring over the plain

The green expanse is dear to me -

I fell in love with the melancholy crane

There is a monastery on a high mountain.

Every evening, as the blue fades,

As the dawn hangs on the bridge,

You are coming, my poor wanderer,

Bow down to love and the cross.

The spirit of a monastery resident is gentle,

You listen greedily to the litany,

Pray before the face of the Savior

For my lost soul.

Anna Sardanovskaya briefly took a place in the poet’s heart, but the memory of this hobby remained for years. Already a mature poet, 4 years after the breakup, Yesenin dedicated these poems to her. They were published in 1916. A characteristic feature of this poem, like other poems about love of these years, is the complete absence of realities associated with past meetings and with experienced feelings. The heroine of the poem is a poor wanderer whom the lyrical hero calls upon to pray for his lost soul. .

These poems are imbued with light sadness about what has not come true. Here is a premonition of the poet’s tragic fate: Pray before the face of the savior for my lost soul.
The vocabulary of the poem is deeply religious. Here the earthly merges with the heavenly: “above the church domes”, “on a high mountain there is a monastery”, “the gentle spirit of a monastery resident”.
A feeling of tender sadness is created by an apt epithet: “I fell in love with the melancholy of a bug,” a vivid metaphor “the heavenly dog turns blue.” - -

Anna Sardanovskaya introduced Sergei Yesenin to her friend, also a student of the Ryazan Diocesan Women's School, who was vacationing in the summer of 1912 with her relative in the village of Konstantinov. It wasMaria Balzamova . Maria Balzamova briefly took a place in the young man’s heart. The seventeen-year-old poet wrote in a letter to a girl: “I don’t know what to do with myself. Suppress all feelings? Kill melancholy in dissolute fun?.. Either live or not live? Are my feelings fake? Can their fire be extinguished? And it becomes so painful that you can even risk your existence on earth...”
In letters to Maria Balzamova, the poet sent poems dedicated to her, but did not publish any of them. During this period, Yesenin creates poems, the lyrical hero of which is distant from the personality of the author. We won't dwell on them.

A new love interest comes to the poet during a difficult period of his life. Life in Moscow and hated office work. Discord with father. Then the break. Work in the printing house of I.D. Sytin. So, Yesenin came into lifeAnna Izryadnova.
Soon after Yesenin got a job at a printing house, he met a young Muscovite Anna Izryadnova and her sisters Serafima and Nadezhda. The sisters were progressive girls of that era. They earned their own living, went to lectures and rallies, and were fond of fashionable poets - Balmont, Severyanin, Akhmatova. At the very first meeting, Sergei Yesenin excited Anna’s heart: “He came meek, shy, shy of everyone and everything... In appearance he did not look like a village guy... He was wearing a brown suit, a high starched collar and a bright green tie... a shock of golden curls." In 1914, Sergei Yesenin entered into a civil marriage with Anna Izryadnova. The young people rented a room and began family life. Izryadnova became the mother of the poet’s first son, Yuri, who was born in Moscow on January 21, 1915. In March, Yesenin left for Petrograd for fame. They broke up. The last time Anna Izryadnova saw him was before the fateful trip to Leningrad in the fall of 1925. “He said that he came to say goodbye, asked not to spoil him, to take care of his son.” Didn't save it. Yesenin Yuri Sergeevich, an aircraft design technician, was shot on June 27, 1937 in Moscow, where he was born, on charges of preparing an assassination attempt on Stalin.
The poet dedicated the poem “The red wings of sunset are fading away...” (1916) to Anna Izryadnova.

The red wings of the sunset are fading,
The fences sleep quietly in the fog.
Don't be sad, my white house,
That again we are alone and alone.

Cleans the month in the thatched roof
Blue-rimmed horns.
I didn’t follow her and didn’t go out
Escort behind the blind haystacks.

I know that the years will drown out the anxiety.

And lips and innocent soul
She saves for others.

Only the proud live in strength.
And the other will wear out and abandon,
Like a clamp eaten away by raw materials.

It’s not out of melancholy that I await fate,
He will viciously twist the powder.
And she will come to our land
Warm your baby.

He will take off his fur coat and untie his shawls,
Sit with me by the fire.
And he will calmly and affectionately say,
That the child looks like me.

This is a poem about love. It can be read as a lyrical confession of the hero with whom Sergei Yesenin came to poetry. It contains pain of the soul, a feeling of the poverty of the surrounding life:
Don't be sad, my white house,\
That again we are alone and alone. :>
The hero worries about the fate of his beloved woman:

I know that the years will drown out the anxiety.
This pain, like the years, will pass.
The poem hopes for her return:
And she will come to our land
Warm your baby. The color of the poem is given by polysemantic words: “wings of sunset”, similes: “like a yoke eaten away by raw materials”, personifications: “the fences quietly sleep in the fog”, metaphors: “the moon cleanses the blue-covered horns in the thatched roof.” Reading poetry, you feel sad along with the lyrical hero and believe him:
The one who asks for joy is not strong,
Only the proud live in strength

Let's write down in notebooks the 1st stage of spring (1914-1917) about what is characteristic of it. Yesenin's early love lyrics are based on folk traditions; in his poems, the poet strives to personify images. The character of the lyrical hero is just taking shape. A distinctive feature of the poems of the first period is religious symbolism.
now let's move on to the next stage.

2nd group

In 1917-18, Sergei Alexandrovich published poems, accompanying them with the subtitle “From the book “Poems about Love,” which was not destined to be published. In this regard, it is necessary to mention first of all the poem “Green Hairstyle...”, which contains a dedication in the published textsL.I. Kashina . “The girl in white” or in the “white cape” the poet has the same face - Lydia Kashina. She was a fellow villager of Yesenin, the daughter of a landowner who lived in Konstantinov. The young man had a tender feeling for her, and they met many times. The culmination of this strange and mysterious romance was the meeting of Sergei Yesenin with Lydia Kashina in the summer of 1917, after the owner of the estate had already given up her two-story house in Konstantinov to the village world, and she herself had moved to live on another estate - in Bely Yar, on Meadow. towards the Oka River, which is several miles from Konstantinov. In memory of that summer, about the meeting in Bely Yar, Yesenin wrote a poem dedicated to Lydia Kashina, which was published in 1918.

Green hairstyle,

Girlish breasts,

O thin birch tree,

Why did you look into the pond?

What does the wind whisper to you?

What is the sand ringing about?

Or do you want to braid branches

Are you a moon comb?

Open up, tell me the secret

of your woody thoughts,

I fell in love with sad

Your pre-autumn noise.

And the birch tree answered me:

"Oh curious friend,

Tonight is starry

Here the shepherd shed tears.

The moon cast shadows

The greenery shone.

For bare knees

He hugged me.

And so, taking a deep breath,

He said to the sound of branches:

"Goodbye, my dove,

Until new cranes."

Returning from the village to Petrograd, Yesenin in July 1917 set off with the staff of the newspaper Delo Naroda on an ethnographic expedition. He was accompanied by a newspaper employeeZinaida Reich.
Yesenin's trip to the North with Zinaida Reich and the poet Alexei Ganin, who was also in love with her, is one of the most little-studied pages of the poet's life. What is known is that on the way back from Solovki, Yesenin proposed to Zinaida Reich. They got married on August 4, 1917 in the Kiriko-Ulitovskaya Church near Vologda. The poet's first official wife was an extraordinary person. The period of their life together in Petrograd, and then in Moscow, was the only period of his family happiness. It was a love so clear, peaceful, whole that even dislike entered the phase of sad dramatic experiences, it poured into poetry. Without naming a name, the poet dedicated “A Letter to a Woman” to Zinaida Reich.

Audio recording “Letter to a Woman”

This poem was written in 1924, although the events that the poet recalls took place in 1919. The break with his wife marked the beginning of a new period of the poet’s love lyrics.

Let's write down stage 2 in our notebooks summer (1917-1919) what is typical for it

Yesenin's poems of this period are enthusiastic and chaste. In them, the poetry of feeling merges with the poetry of nature, hence exclamatory sentences and appeals are often found in poems. There is religious symbolism. So, here the hero is different, he is involved in a “storm of events”, looking for support and support in his beloved. After breaking up with Zinaida Reich in 1918. Yesenin moved to Moscow, which by this time had become a literary center.

So, a new period begins in the poet’s love lyrics - the “yellow” autumn (1919 - mid-1925).

3 group

So, a new period begins in the poet’s love lyrics - the “yellow” autumn (1919 - mid-1925). In 1921, fate connects S. Yesenin with another womanIsadora Duncan.

Don't look at her wrists

And silk flowing from her shoulders.

I was looking for happiness in this woman,

And I accidentally found death..."

An Irish woman with American citizenship, who came to Russia to teach children to dance, whose talent even the great Stanislavsky admired, won the heart of the young poet, despite the fact that she was twice as old as Yesenin. The meeting between Yesenin and Duncan took place at the artist Yakulov’s place. In the same 1921, they registered their marriage and went to travel around Europe.

Yesenin spent almost six months abroad, wrote little away from his homeland, and was greatly homesick for Russia. In the fall of 1923, his marriage to Duncan breaks up, and Yesenin returns to his homeland. Upon his return, he writes a cycle of poems "Moscow Tavern". True, the first poems of this cycle were written abroad. Love for Isadora Duncan was not reflected in Yesenin’s work, except for a cursory mention in the last poem “The Black Man”:

And some woman

More than forty years old

Called me a bad girl

And with my sweetness.

The poems of “Moscow Tavern” had no direct addressees. The women the poet addressed in them were nameless. These verses contained the vulgar vocabulary and embittered cynicism of “Moscow tavern” addressed to a woman. And the answer to the question of what happened to the poet and why will be verses from the collection “Poems of a Brawler” - “I have only one fun left...”.

Let's listen to the song based on these verses and try to find lines that would serve as an answer to the question why the world of Yesenin's poetry is so contradictory.

Listening to gram records.

In my opinion, the answer to this question can be the words:
But if the devils were nesting in the soul -
This means that angels lived in it.

Evolution is built on the unity and struggle of opposites. Where there is a plus, there is always a minus nearby. After all, the “angels” already lived, and the “devils” only nested in the soul. The poet resisted and strived for harmony:

White rose with black toad
I wanted to get married on earth.

The poet is trying to escape from the vicious pool of taverns. Life itself helps him. Augusta Miklashevskaya appears in his destiny.

Returning home and meeting the actress of the Moscow Chamber Theater Augusta Miklashevskaya played a huge role in the spiritual life of the poet. He creates a cycle of poems called “The Love of a Hooligan,” which became the second part of the book “Moscow Tavern.” The love in these poems looks unearthly, fabulous, reminiscent of the love motifs of Yesenin’s poems at the turn of 1915-1916... Many years later, Augusta Miklashevskaya recalled with what amazing tenderness and nobility Yesenin treated her.

Watch a video about Miklashevskaya

He would wear a lionfish and top hat on a date and, smiling softly, say: “Is this very funny? But I so wanted to be at least somewhat like him...” Yesenin had in mind Pushkin, whom he loved very much and from whom he constantly learned his craft. It was a platonic romance, it was shrouded in the haze of the early 19th century. Yesenin dedicated a whole cycle of poems to Miklashevskaya entitled “The Love of a Hooligan.” It consisted of seven poems: “A blue fire began to sweep…”, “Let you be drunk by others...”, “You are as simple as everyone else...”, “Darling, let’s sit next to one...”, “To me It’s sad to look at you...", "Don’t torment me with coolness...", "The evening raised black eyebrows..."

Honey, let's sit next to each other

Let's look into each other's eyes.

I want under the gentle gaze

Listen to the sensual blizzard.

This is autumn gold

This strand of whitish hair -

Everything appeared as salvation

Restless rake.

I left my land a long time ago,

Where meadows and thickets bloom.

In urban and bitter glory

I wanted to live lost.

I wanted my heart to be quieter

I remembered the garden and summer,

Where to the music of frogs

I raised myself as a poet.

It's like autumn there now...

Maple and linden in the windows of the rooms

Throwing away the branches with my paws,

They are looking for those they remember.

They have been gone for a long time.

A month in a simple graveyard

Marks rays on crosses,

That we too will come to visit them,

That we too, having overcome anxiety,

Let's go under these bushes.

All the wavy roads

Only joy flows to the living.

Darling, sit next to me

Let's look into each other's eyes.

I want under the gentle gaze

Listen to the sensual blizzard.

"Darling, let's sit in rows..." (1923)). Love for this woman was healing for the poet’s sick and devastated soul. An inspired feeling for Miklashevskaya enlightens, elevates and inspires Yesenin to creativity, makes him believe again and in a new way in the significance of an ideal feeling.

According to the testimony of Augusta Leonidovna Miklashevskaya herself, Yesenin liked this one most of the seven poems in this cycle - “You are as simple as everyone else ...”, dedicated to a teacher from BatumiShagane Talyan , with whom the poet met while in the Caucasus in December 1924.
“Persian Motifs” glorifies pure, joyful, silent and incorruptible love.Such was Shagane Talyan, whom Sergei Yesenin often visited in Batumi, gave flowers, and read poetry. The girl was 24 years old at that time; she was an Armenian from Akhaltsikhe. Shagane was distinguished by her extraordinary beauty, and the poet wrote his Persian woman from her. Parting with her, Yesenin presented her with a book of his poems with the inscription: “My dear Shagane, you are pleasant and dear to me.” _In “Persian Motives” the poet created a poetic image, depicting poetic love.

Shagane, you are mine, Shagane!

About wavy rye under the moon.

Shagane, you are mine, Shagane.

Because I'm from the north, or something,

That the moon is a hundred times bigger there,

No matter how beautiful Shiraz is,

It is no better than the expanses of Ryazan.

Because I'm from the north, or something.

I'm ready to tell you the field,

I took this hair from the rye,

If you want, knit it on your finger -

I don't feel any pain.

I'm ready to tell you the field.

About wavy rye under the moon

You can guess by my curls.

Darling, joke, smile,

Just don’t wake up the memory in me

About wavy rye under the moon.

Shagane, you are mine, Shagane!

There, in the north, there is a girl too,

She looks an awful lot like you

Maybe he's thinking about me...

Shagane, you are mine, Shagane.

We write down stage 3 in notebooks autumn (1919-mid 1025) what is characteristic of him

A feature of the third period is the disappearance of biblical images and religious symbols. The poet's skill has increased significantly.

The floor is given to group 4

4 group

The second half of 1925 is a period of black and white winter in the love lyrics of Sergei Yesenin. Next to the poet is his friend and loving woman Galina Benislavskaya.Her ancestry: her mother is Georgian, her father is French. If she inherited her mother's facial features (oriental), then perhaps she was somewhat similar in appearance to Shagane. Galina Benislavskaya was left without parents early on, was raised in a family of Benislavsky doctors, and received her education at a gymnasium. She was deeply interested in literature, loved poetry, especially Blok, and often visited the literary cafe “Worth of Pegasus,” where in the early 20s the best Moscow poets gathered to read their poems, argue, discuss, and read out poetic manifestos. At one of the evenings, Benislavskaya saw Yesenin and heard him reading his poems with inspiration. This is how they met.

Yesenin owed a lot to Benislavskaya. At a difficult time for him, in 1923, when, having returned from a trip abroad, he decided to break his marriage ties with the American dancer Isadora Duncan, when a deep gap formed between him and the Imagists and the poet was threatened by a spiritual vacuum, Galina Benislavskaya extended the hand of friendship to him. Yesenin settled in Bryusovsky Lane, in her apartment, where Yesenin’s friends soon began to gather: poets and writers - Pyotr Oreshin, Vsevolod Ivanov, Boris Pilnyak, Vasily Nasedkin, Wolf Erlich and Nikolai Klyuev were frequent guests. This brightened up the everyday life of Yesenin and allowed him to communicate with his fellow writers. Later, the writer, while in Batumi, wrote to her:

Dear Galya! I am very sick and therefore I cannot write to you and tell you how I live in Batum. Just requests and requests. Re-read these poems and hand them in wherever you want... You can sell my poems without asking me. I hope for your taste in compiling...”

Galya, my dear! Thank you for the letter, it made me happy... Darling, do everything as you find it yourself. I’m too lost in myself and don’t know anything about what I wrote yesterday or what I’ll write tomorrow. Only one thing lives in me now. I feel enlightened, I don’t need this stupid noisy fame, I don’t need line-by-line success. I understood what poetry is..."

Dear Galya! I repeat to you that you are very, very dear to me. And you yourself know that without your participation in my fate there would be a lot of deplorable things... This is much better

Yesenin dedicated several poems to Benislavskaya, one of the most striking is “Kachalov’s Dog.”

Give me your paw, Jim, for luck,

I have never seen such a paw.

Let's bark in the moonlight

For quiet, noiseless weather.

Give me your paw, Jim, for luck.

Please, darling, don't lick him.

Understand with me at least the simplest thing.

After all, you don't know what life is,

You don’t know that life in the world is worth living.

Your master is both nice and famous,

And he has a lot of guests in his house,

And everyone, smiling, strives

I can touch your velvet wool.

You are devilishly beautiful like a dog,

With such a sweet, trusting friend.

And, without asking anyone a bit,

Like a drunk friend, you go in for a kiss.

My dear Jim, among your guests

There were so many different and different ones.

But the one who is the most silent and saddest of all,

Did you happen to come here by any chance?

She will come, I give you my guarantee.

And without me, in her staring gaze,

For me, lick her hand gently

For everything I was and wasn’t guilty of.

A year after the death of Sergei Yesenin, a shot was fired at his grave at the Vagankovskoye cemetery, on December 3, 1926. Galina Benislavskaya shot herself; she couldn’t imagine her life without Sergei Yesenin. She left a suicide note. At her request, Galina Benislavskaya was buried next to Yesenin. No, she did not reciprocate. For the poet, Benislavskaya was only a friend; there is nothing like love in his soul.

The last poems of love lyrics are dedicated toSofya Andreevna Tolstoy, granddaughter of Lev Nikolaevich Tolstoy.
At the beginning of March 1925, at a home party at Galina Benislavskaya’s, the poet met Sofia Andreevna Tolstoy, the granddaughter of Lev Nikolaevich Tolstoy. She was an extraordinary person; she inherited a lot from her great grandfather. In June 1925, Yesenin married S.A. Tolstoy and moved in with her on Ostrozhenka, in a large, gloomy apartment with antique, bulky furniture. There were many portraits and museum relics there. But he was not happy in this marriage either, and the apartment simply weighed on him. Again, there was no one to blame here - this is how life turned out.

Apparently, it’s been this way forever -

By the age of thirty, having gone crazy,

More and more, hardened cripples,

We keep in touch with life.

Honey, I'll soon be thirty,

And the earth is dearer to me every day,

That's why my heart began to dream,

That I burn with pink fire.

If it burns, then it burns and burns,

And no wonder in the linden blossom

I took the ring from the parrot -

A sign that we will burn together.

The gypsy woman put that ring on me,

I took it off my hand and gave it to you,

And now, when the barrel organ is sad,

I can’t help but think, not be shy.

There's a whirlwind in my head

And there is frost and darkness on the heart:

Maybe someone else

Did you give it away laughing?

Maybe kissing until dawn

He asks you himself

Like a funny, stupid poet

You brought me to sensual poems.

So what! This wound will also pass.

It's just sad to see the end of life.

The first time for such a bully

The damned parrot deceived me.

We write down stage 4 in notebooks 4.winter (second half of 1925) what is characteristic of him

The fourth period is the shortest and the darkest features of this period are that the love lyrics contain black and white colors. On the one hand, a premonition of a tragic end, on the other hand, a dream of pure, uplifting love,

So that she has cornflower blue eyes
Only me-
Not to anyone -
And with new words and feelings
Calmed my heart and chest.

This is what he wrote in the poem “Leaves are falling, leaves are falling...” Love in the last poems of the poet is presented as a refuge from snowstorms and troubles, as a gift of fate.

Yesenin's poems about love vary in degree of perfection. But they are infinitely sincere, extremely pure and sincere. “I never lie with my heart...,” Yesenin wrote about himself. Therefore, his poems excite the hearts of readers, because at all times they sound like true music and true poetry.

d/z write an essay about your favorite poem.

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