Svetlana Aleksievich: biography, personal life, creativity, Nobel Prize in Literature. Svetlana Aleksievich: biography, personal life and creativity
Svetlana Aleksandrovna Aleksievich (born 1948) is a well-known Soviet and Belarusian writer and journalist, Nobel Prize winner in literature. He creates his works in Russian. The book "War Does Not Have a Woman's Face" has become a real bestseller, staged on the stage of dozens of theaters in the country. Svetlana Aleksievich is well known far beyond the borders of the post-Soviet space. Her books have been published in 19 countries around the world, and 21 documentaries have been shot based on scripts by the talented author. The writer is the owner of numerous literary awards and prizes, including international ones.
Childhood and youth
Svetlana Aleksievich was born in the Ukrainian city of Stanislav (now Ivano-Frankivsk) on May 31, 1948. Her father, a Belarusian by nationality, was a military man, and after his dismissal from the army, the family moved to Belarus. Here the parents began to work as teachers in a rural school. After receiving the certificate, Svetlana got a job at the editorial office of the regional newspaper, because, while still at school, she began to write poetry and small notes. Having received the necessary two-year experience, she entered the Faculty of Journalism of the Belarusian State University. Aleksievich took an active position and took part in various competitions of student works of the republican and all-Union level.
While still a student, Svetlana read A. Adamovich's books "I'm from a fiery village" and "Blockade book", which left a deep mark on her girlish soul. After graduating from the Faculty of Journalism in 1972, Aleksievich rushed about in search of herself for a long time. She managed to work out science, journalism and even work as a teacher at school. And only after getting acquainted with these works, the girl realized that she had everything to become a writer. Until now, she calls Adamovich her teacher. "I've always wanted to capture authenticity," Alexievich says. This genre, invented by Ales and called by him "the novel-evidence", became very close to her.
Nevertheless, Svetlana continued to engage in journalism at the Rural Newspaper. Then she moves to the Neman magazine, first as a correspondent, and then as a department head, while continuing to write journalistic works and stories. In 1983 she was admitted to the Writers' Union of the USSR.
Writer with a capital letter
The first large-scale literary work "I left the village" was prepared for publication in 1976. This is a collection of monologues of residents of one of the Belarusian villages who migrated to the city. She came across serious criticism of the Republican Communist Party for not understanding agricultural policy. Aleksievich later withdrew from publication, describing her work as overly "journalistic".
In 1983, Aleksievich wrote the book "War has no female face." In the era of late stagnation, she was not allowed to publish, accusing the author of excessive naturalism, pacifism and leveling the heroic image of a Soviet woman. Such criticisms caused serious concern, because the writer managed to acquire the reputation of an ardent anti-Soviet. Aleksievich herself calls her brainchild "a novel of voices." Indeed, this work is about that side of the war that few people knew. But she was also the author, drawing her heroes, creating a collective image from the many voices of unknown women who gave their lives for the freedom of their homeland.
At the beginning of perestroika, several publishing houses at once ventured to publish the work. He was highly appreciated by famous front-line writers - B. Okudzhava, D. Granin, G. Baklanov. Today, the total circulation of the novel exceeds 2 million copies. Performances based on “The War Does Not Have a Woman’s Face” were staged in dozens of theaters in the country, and director V. Dashuk made a series of documentaries with the same name, which was awarded the USSR State Prize.
In the same year, "The Last Witnesses" appeared - the second book of the feature documentary cycle "Voices of Utopia". Her writer devoted to the image of the war, seen by children's eyes. The work consists of hundreds of children's stories about the war. Her truth is terrible and all the more bitter for those who failed to protect children's souls from this hell. Aleksievich is sure that such a truth is also very necessary: “A person without memory can only give birth to evil,” she is sure.
creative flourishing
In 1989, Soviet troops left Afghanistan. At this time, from the pen of Aleksievich, the publicistic novel Zinc Boys was published, exposing this war. The writer again told the unpleasant truth about how and for what the young soldiers died and in the name of what ideals they went to certain death. To show everything as it is, Svetlana Alexandrovna collected materials for four years, talked with the mothers of soldiers, and visited Afghanistan. The new, frank look at the Afghan war caused an intellectual shock in the society, forcing many to rethink their values.
The author was again subjected to sharp criticism, and a show trial was even organized in Minsk. Despite this, the book became a real bestseller, many performances were staged on it, as well as feature films and documentaries were shot.
In 1993, "Charmed by Death" was published, which became a reflection of the spiritual breakdown that struck a sixth of the land after the collapse of a seemingly eternal empire. People accustomed to communist ideals could not stand the test of time and took their own lives. The book, which tells about how society emerged from the captivity of the great illusion, formed the basis of the feature film "The Cross".
Svetlana Alexandrovna admits that the hardest thing for her was the “Chernobyl Book”, the creation of which was not at all in the spirit of the established tradition of writing books about the war. It took her five years to realize the scale of the disaster and create a concept for her work. She says that this book is not about Chernobyl, but about the world after Chernobyl. How life has changed in a new reality, still misunderstood and unconscious. People are gaining new knowledge that they will need in order not to repeat this nightmare again.
The theme of war occupies a central place in the works of the Belarusian writer. The author herself explains this by the constant presence of this event in the history of the country. It had a huge impact on society, crippling human destinies and shaping ideals. Another cross-cutting theme is criticism of the communist regime, which Aleksievich repeatedly calls "a great and terrible utopia."
Svetlana Alexievich today
In 2013, the book "Second-hand Time" (The End of the Red Man) was published, raising the question of the revival of a totalitarian machine capable of squeezing the "red man" out of us drop by drop. This is a story about the last two decades of Russian history, intertwined with twenty different human destinies. And again, the reader is confronted with voices, penetratingly telling about their hard lot, aggression and hopelessness, reigning in the minds of people.
Back in the late 90s, she decided to write a book about love. The work was given the name "Wonderful deer of the eternal hunt." In it, the author tells about the time of love, which does not coincide with the usual course of our lives.
Aleksievich became the first writer from the post-Soviet space to be awarded the Nobel Prize (2015). The presentation of such a prestigious award did not become an event in Belarus, where it has not been printed for two decades. There is nothing surprising in this, because Svetlana Aleksandrovna is one of the irreconcilable critics of the incumbent President A. Lukashenko. This forced her to migrate to the West, so since the early 2000s she has lived in Italy and France, however, now she has returned to her homeland.
The presentation of the highest literary award was also ambiguously received in Russia, because the writer is known as a consistent critic of the current authorities. Many argued that the choice of Svetlana Alexandrovna was made for political reasons in defiance of Russia.
Today, the writer continues to worry about the fate of the Fatherland. Even as a deep specialist in the issues of the “red man”, she cannot confidently say why human suffering cannot be converted into true freedom in any way and why slavery has sunk so deeply into the souls of millions.
In April 2016, during a meeting with readers in Minsk, Aleksievich shared her plans. She admitted that she is working on two new books dedicated to the love of a man and a woman, as well as the theme of old age and death. True, the writer immediately recalled: "I write slowly. I don't just write, I live this time". So fans of the talented writer can only wait.
Personal life
Svetlana Aleksievich does not like to reveal her personal secrets, devoting herself entirely to creativity. Nevertheless, it is known that she raised an adopted daughter, who is the child of an early deceased sister.
The final, fifth book of the famous documentary series by Svetlana Aleksievich "Voices of Utopia". “Communism had a crazy plan,” says the author, “to remake the “old” man, the old Adam. And it worked out... Maybe the only thing that worked out. For more than seventy years, a separate human type has been bred in the laboratory of Marxism-Leninism - homo soveticus. Some believe that this is a tragic character, others call him a "scoop". It seems to me that I know this person, he is well known to me, I am next to him, I have lived side by side for many years. He is me. These are my acquaintances, friends, parents.”
Socialism is over. And we stayed.
Without this book, which has long become a world bestseller, it is already impossible to imagine either the history of the Afghan war - an unnecessary and unjust war, or the history of the last years of Soviet power, completely undermined by this war. The grief of the mothers of “zinc boys” is inescapable, their desire to know the truth about how and for what their sons fought and died in Afghanistan is understandable. But having learned this truth, many of them were horrified and refused it. Svetlana Aleksievich's book was tried "for slander" - a real court, with a prosecutor, public prosecutors and "support groups" in power and in the press. The materials of this shameful trial are also included in the new edition of The Zinc Boys.
The most famous book by Svetlana Aleksievich and one of the most famous books about the Great Patriotic War, where the war is shown for the first time through the eyes of a woman. "War has no woman's face" has been translated into 20 languages and included in the school and university curriculum.
The second book (the first was "The War Doesn't Have a Woman's Face") of Svetlana Aleksievich's famous documentary cycle "Voices of Utopia". Memories of the Great Patriotic War of those who were 6-12 years old during the war - the most impartial and most unfortunate witnesses of it. A war seen by children's eyes is even more terrible than a war captured by a woman's eyes. Aleksievich's books have nothing to do with the kind of literature where "the writer pees and the reader reads." But it is in relation to her books that the question most often arises: do we need such a terrible truth? The writer herself answers this question: "A man without memory is capable of generating only evil and nothing else but evil."
"Last Witnesses" is a feat of children's memory.
For several decades, Svetlana Aleksievich has been writing her chronicle "Voices of Utopia". Five books have been published in which the "little man" himself talks about time and about himself. The titles of the books have already become metaphors: “War has no woman’s face”, “Zinc Boys”, “Chernobyl Prayer”… In fact, she created her own genre – a polyphonic confessional novel, in which a big story, our twentieth century, is formed from small stories.
The main man-made disaster of the 20th century is twenty years old. "Chernobyl Prayer" is published in a new author's edition, with the addition of a new text, with the restoration of fragments that were excluded from previous editions for censorship reasons.
The most famous book by Svetlana Aleksievich and one of the most famous books about the Great Patriotic War, where the war is shown for the first time through the eyes of a woman. "War has no woman's face" has been translated into 20 languages and included in the school and university curriculum.
In the most terrible war of the 20th century, a woman had to become a soldier. She not only rescued and bandaged the wounded, but also fired from a "sniper", bombed, undermined bridges, went on reconnaissance, took language. The woman killed. She killed the enemy, who fell with unprecedented cruelty on her land, on her house, on her children. It was the greatest sacrifice they made on the altar of Victory. And an immortal feat, the full depth of which we comprehend over the years of peaceful life.
The second book of the famous documentary series "Voices of Utopia" by Svetlana Aleksievich, who received the Nobel Prize in Literature in 2015 "for polyphonic creativity - a monument to suffering and courage in our time." In "The Last Witnesses" - memories of the Great Patriotic War of children, the most impartial and most unfortunate witnesses. The war, seen by children's eyes, turned out to be even more terrible than that captured by a woman's gaze in the book "War does not have a woman's face." "The Last Witnesses" is a feat of children's memory. Like the rest of the books in the cycle, it is published in a new author's edition.
Svetlana Alexandrovna Aleksievich is a writer, winner of many Russian, foreign and international awards, including the Nobel Prize. Several films have been made based on her works. Books by Svetlana Aleksievich are dedicated to the most tragic pages in our history. Namely: the Second World War, the Afghan war, the Chernobyl tragedy. The biography of Svetlana Aleksievich is the topic of today's article.
early years
Presenting to your attention the biography of Svetlana Aleksievich, you should start with the fact that she was born in 1948, in the Ukrainian city of Ivano-Frankivsk. The father of the future writer was Belarusian. Mother is Ukrainian. In the early fifties, the father was mobilized, the family moved to Belarus. Here the parents worked as teachers.
Alexievich spent his childhood and youth in the Gomel region. While still at school, she began to write poetry and small notes. After receiving the matriculation certificate, she decided to enter the Faculty of Journalism. But at that time there were rules according to which one had to work for at least two years in one of the editorial offices. After leaving school, she got a job as a correspondent for a local newspaper, later she entered the Minsk University.
The beginning of journalism
The creative biography of Svetlana Aleksievich was not easy. After graduating from the university, she was sent to the Brest region. Here for several years she worked as a journalist in the editorial office of a local newspaper. At the same time, she taught at a rural school. I had to decide on a profession. Continue the family tradition or dedicate yourself to writing? The choice was made in favor of literary creativity. And it does not promise stability and does not guarantee recognition. Many years passed before Alekseevich was able to create her own unique style. She wrote several books that are world famous today, but in Soviet times they were in no hurry to publish them.
Features of creativity
Svetlana Aleksievich's books are written in a rather unusual manner. Her style is somewhere between artistic and journalistic. The writer herself claims that it was formed under the influence of Ales Adamovich, a Belarusian prose writer, author of such works as The Blockade Book, I am from a fiery village. About what are the features of the literary style of the writer, it is said below. In the meantime, first of all, we will name the main events from the biography of Svetlana Aleksievich.
In 1983 Aleksievich was admitted to the Writers' Union of Belarus. At the same time, she wrote one of her most famous works. Svetlana Aleksievich worked on the book "War has no woman's face" for many years. But publishers and censors did not appreciate her work. The book has undergone numerous revisions and was published in its original form only in the 2000s.
We will tell about how the creative biography of Svetlana Aleksievich took shape using the example of books created by her. There are not so many of them, but each caused a resonance in society. Alekseevich spent many years abroad. Lived in Italy, Germany, France. Her political views cannot be called pro-Russian. In the press, she has repeatedly expressed herself rather sharply about the most important events of recent years.
Personal life of Svetlana Aleksievich
Little is known about the author's family. No wonder. After all, Alekseevich is not an actress and not a TV presenter. She is a writer who creates literature far from entertaining. It is known, however, that Aleksievich is not married. She devoted most of her life to journalism. According to some reports, Svetlana Alexandrovna Aleksievich once long ago issued guardianship over the daughter of her deceased relative. The author has no children of her own.
"War has no woman's face"
Svetlana Aleksievich wrote her first book in the seventies. It was a nonfiction piece, I Left the Village. The book was not published, the aspiring writer was accused of not understanding the country's agrarian policy. Later, Alekseevich refused to finalize this work and began work on a new one.
There was no family in the Soviet Union that would not have experienced losses in the forties. The future writer grew up in a small village where predominantly female voices were heard. It was the women who talked about the war, they remembered it and cried. It is not surprising that Alekseevich dedicated her first significant work to them.
The book is a collection of memories. These are the stories of front-line soldiers: signalmen, doctors, pilots, sappers, snipers. Women in the war had to master any military specialty. Alekseevich, working on this book, visited about a hundred cities, villages and villages. She communicated with the former front-line soldiers, wrote down their revelations. She later admitted that over the next years she unsuccessfully tried to forget the terrible stories she heard from them.
About 800 thousand women participated in the Great Patriotic War. Asked to go to the front even more. phenomenon in history. Never before had so many women been involved in a war. Aleksievich's book is filled with many terrible details that have been preserved in the female memory. But why did this work refuse to be published for so long?
Censorship
In Soviet times, many good films were made, and even more wonderful books were written. But in most of them, the Soviet soldier was devoid of any human weaknesses. He was an undeniable hero, ready to fight fascism to the last drop of blood. But killing a person is not so easy, even if he is an occupier. This is evidenced by some pages from the memoirs of the heroines of Aleksievich. For example, the story of a front-line soldier who, at the age of 18, ended up at the front as a sniper. It was not easy for her to shoot a German for the first time. Inappropriate thoughts arose that her target was an ordinary person. There are many similar stories in Aleksievich's book. And there is a lot of naturalism in it that can terrify the reader.
Aleksievich was accused of debunking the heroic image of a Soviet woman. With rough naturalism, according to the opinion of the censors, she only humiliated the front-line soldiers. Soviet heroism was sterile, it had no connection with either physiology or biology.
"Last Witnesses"
Aleksievich also devoted the next book to the theme of war. In Last Witnesses, she spoke of those who were between 5 and 12 years old in 1941. When work on this book began, there were still many children of war in the Soviet Union. Today they are few. One of the journalists called Svetlana Aleksievich "the keeper of memory". It is difficult to disagree with these words, because thanks to her books, today we will learn about what only people who have long left this world could tell about.
In June 1941, most of the inhabitants were destroyed in the city of Brest. Those who survived remembered the picture forever: a murdered girl lies on the pavement, and a doll is nearby. This is how the work of Svetlana Aleksievich begins. But these are far from the most terrible lines. What follows are the memories of people, extracted from the depths of childhood memory.
These are stories that are really scary to listen to. Even if the witnesses of the events were only adults. At the thought that children, on whom even a seemingly quite ordinary event makes a strong impression, became witnesses of inhuman cruelty, it becomes creepy. Alekseevich believes that this should not be forgotten. Wars were, are and will be. Perhaps those who untie them can be stopped by children's crying?
"Zinc Boys"
About 25 million people died in WWII. Both men and women went to the front in order to save their native land. Why and who needed the war that began in 1979 is still not very clear to many today. For 10 years, Soviet mothers parted with their sons. Not everyone had a chance to see their children again. The soldiers returned in zinc coffins, and if they were alive, then they were not the same as they were before. People with disabilities came home, people with twisted destinies.
When creating the book "Zinc Boys", Svetlana Aleksievich worked according to her usual scheme. That is, I interviewed ordinary people. As before, she talked mainly with women - with the mothers of dead or surviving soldiers. Those who went through Afghanistan were called soldiers-internationalists in the 80s. In fact, many of them were mentally disturbed people in whom death and murder no longer evoked any emotions.
At that time, ordinary people did not know the truth about this war. She was not needed. When Aleksievich's book was published, a flurry of criticism fell upon the writer. The mothers who were interviewed retracted their words. Aleksievich was accused of lying and slander. Most likely, the soldiers' mothers came under pressure from government officials. Based on the book "Zinc Boys" by Svetlana Aleksievich, several theatrical productions and two documentaries were created.
"Charmed by Death"
In August 1991, an event took place in Moscow that influenced the course of history, not only domestic, but also worldwide. A few months later, a huge multinational country was gone. Changes affected all spheres of human activity. Such changes are not easy to survive, as a result - a huge number of suicides. The book Charmed by Death is about this. The work tells about both famous people and ordinary people.
"Chernobyl Prayer"
The accident that occurred in 1986 claimed many lives. Many people still suffer from the consequences of the tragedy in Pripyat. The book "Chernobyl Prayer" by Svetlana Aleksievich was published in 1997. The most tragic pages are dedicated to the firefighters who were called to the station on April 26th. Based on Svetlana Aleksievich's "Chernobyl Prayer", several feature and documentary films were shot.
This work caused a lot of positive reviews from foreign critics. Among the advantages of the book, according to one of them, is that the author does not impose his opinion, does not make accusations, but gives the reader the opportunity to form his own point of view.
Svetlana Aleksievich received the Nobel Prize in 2015. She received an international award for her monument to suffering and courage in our time.
Soviet and Belarusian writer, journalist. Writes in Russian. Winner of the Nobel Prize in Literature 2015.
The most famous were her books in the genre of non-fiction prose "War has no female face", "Zinc Boys", "Chernobyl Prayer", "Second Hand Time". Aleksievich's works are dedicated to the life of the late USSR and the post-Soviet era, imbued with feelings of suffering and humanism
Svetlana Aleksievich was born in the Western Ukrainian city of Stanislav (now Ivano-Frankivsk, Ukraine). Father is Belarusian, mother is Ukrainian. Later the family moved to Belarus. In 1965 she graduated from high school in Kopatkevichy, Petrikovsky district, Gomel region. She worked as an educator, a teacher of history and German in the schools of the Mozyr district, a journalist for the newspaper Prypyatskaya Pravda (Pripyatskaya Pravda) in Narovlya. In 1972 she graduated from the Faculty of Journalism of the Belarusian State University, and began working at Mayak Kommunizma, a regional newspaper in Bereza, Brest region. In 1973-1976 she worked at the Selskaya Gazeta, in 1976-1984 she was the head of the essay and journalism department of the Neman magazine. In 1983 she was admitted to the Writers' Union of the USSR.
Since the early 2000s, she lived in Italy, France, Germany. Since 2013, he has been living in Belarus again. Among his teachers, Aleksievich names Ales Adamovich and Vasil Bykov. The poet Vladimir Neklyaev said that if all Russian literature came out of Gogol's "Overcoat", then all the work of Aleksievich - from the documentary book of Ales Adamovich, Yanka Bryl and Vladimir Kolesnik "I am from a fiery village."
Aleksievich's first book, War Has No Woman's Face, was written in 1983. This documentary story, based on the recordings of the stories of women who participated in the Great Patriotic War, was first published in the October magazine in early 1984 (in a magazine version), several more chapters were published in the same year in the Neman magazine. Soviet critics accused the author of pacifism, naturalism and debunking the heroic image of the Soviet woman. In 1985, the book was published as a separate edition simultaneously in several publishing houses; by the end of the 1980s, the total circulation reached 2 million copies.
Some critics call Aleksievich "a brilliant master of documentary fiction", while others characterize Aleksievich's work as speculative and tendentious journalism.
Until 2015, Aleksievich became the winner of many foreign literary prizes and awards. Among them are the Remarque Prize (2001), the National Critic's Award (USA, 2006), the Reader's Choice Award based on the results of the reader's vote of the Big Book Prize (2014) for the book Second Hand Time, and the Kurt Tucholsky Prize for Courage and Dignity in Literature”, the Andrey Sinyavsky Prize “For Nobility in Literature”, the Russian independent Triumph Prize, the Leipzig Book Prize “For Contribution to European Understanding”, the German Prize “For the Best Political Book” and the name of Herder. In 2013, Svetlana Aleksievich became a laureate of the International Peace Prize of German Booksellers; received a gold medal of the Belarusian competition "Brand of the Year-2013".
In 2013, she was considered one of the contenders for the Nobel Prize in Literature, but the award was received by Canadian writer Alice Munro.
In 2015, she won the Nobel Prize in Literature with the wording "for her many-voiced work - a monument to suffering and courage in our time." Svetlana Aleksievich - the first Nobel laureate in the history of independent Belarus; She became the first Russian-speaking writer since 1987 to be awarded the Nobel Prize in Literature. For the first time in half a century, the prize was awarded to a writer who works primarily in the non-fiction genre; and for the first time in history, the Nobel Prize in Literature has been awarded to a professional journalist
The cash prize of the award was 8 million Swedish kronor (about 953 thousand dollars at that time)
Aleksievich Svetlana (Aleksievich Svyatlana) is a Belarusian writer and journalist.
She was born on May 31, 1948 in Ukraine in the city of Stanislav (after 1962 - Ivano-Frankivsk). Father is Belarusian, mother is Ukrainian.
After the demobilization of his father, the family moved to his homeland, to Belarus. She graduated from the Department of Journalism of the Belarusian State University named after Lenin (1972). She worked as an educator in a boarding school, as a teacher (1965), in the editorial offices of the regional newspapers Prypyatskaya Pravda (Narovlya, 1966), Mayak Kommunizma (Bereza, 1972-1973), the republican Selskaya Gazeta "(1973-1976), the magazine "Neman" (1976-1984).
She began her literary career in 1975. The “Godfather” can be called the famous Belarusian writer Ales Adamovich with his idea of a new genre, the exact definition of which he was constantly looking for: “cathedral novel”, “oratorio novel”, “testimonial novel”, “people who tell about themselves”, “ epic-choral prose”, etc.
Aleksievich's first book - "The war has no woman's face" - was ready in 1983 and lay in the publishing house for two years. The author was accused of pacifism, naturalism and debunking the heroic image of the Soviet woman. At the time, it was more than serious. "Perestroika" gave a beneficial impetus. The book was almost simultaneously published in the magazine "October", "Roman-gazeta", in the publishing houses "Mastatskaya Litaratura", "Soviet Writer". The total circulation reached 2 million copies.
The fate of the following books was not easy either. "The Last Witnesses" (1985) - children's view of the war. "Zinc Boys" (1989) - about the criminal war in Afghanistan (the publication of this book caused not only a wave of negative publications in communist and military newspapers, but also a protracted trial, which was stopped only by the active defense of the democratic public and intellectuals for abroad). "Charmed by Death" (1993) - about suicides. "Chernobyl Prayer" (1997) - about the world after Chernobyl, after a nuclear war ... Now Aleksievich is working on a book about love - "Wonderful deer of eternal hunting."
Member of the Union of Journalists of the USSR (1976), the Union of Writers of the USSR (1983), the Belarusian PEN Center (1989). Books were published in 19 countries of the world - America, England, Bulgaria, Vietnam, Germany, India, France, Sweden, Japan, etc. Winner of the literary awards of the N. Ostrovsky Writers' Union of the USSR (1984), K. Fedin (1985), Leninsky Prize Komsomol (1986), was awarded the international Kurt Tucholsky Prize (Swedish PEN) for "courage and dignity in literature", Andrei Sinyavsky "for nobility in literature", the Russian independent Triumph Prize, the Leipzig Prize "For European Understanding-98", the German "For the best political book" and the Austrian name of Herder.
Based on the books of Aleksievich, films were made and theatrical performances were staged. A cycle of documentaries based on the book "War has no woman's face" was awarded the USSR State Prize (1985) and the "Silver Dove" at the international documentary film festival in Leipzig.
She is known for her consistently negative attitude towards the foreign and domestic policy of President A. Lukashenko, in connection with which she was subjected to judicial and extrajudicial persecution. Since the beginning of the 2000s, he has been living in exile (Italy, France).
He brings up the daughter of his early deceased sister.