A large number of typical aspects of the Ukrainian Cossacks are embodied. In the story of the same name, he is revealed from all sides: both as a family man, and as a military leader, and as a person in general. Taras Bulba is a folk hero, he cannot stand a quiet domestic existence and lives a stormy life, full of worries and danger.

Bulba as a family man

The main character is a stern husband and father. K treats with a certain condescension. He considers her just a "woman", an infinitely insignificant creature who has no authority whatsoever. Gogol's hero also teaches his sons not to submit to the influence of their mother. The image of Taras Bulba in the story "Taras Bulba" at first seems a little cruel. He does not recognize the soft, and even vice versa - he sees in it a great danger to a real Cossack. He believes that it is impossible to succumb to the charms of female love, even if this is how you can "get mad".

Bulba as a father

Taras is presented as stern as a father. In relation to his two sons, he does not allow a drop of affection or gentleness, he immediately tries to become their senior comrade. Even when the sons return home, Bulba at the first meeting gets into a fight with one of them. In this way, he tries to determine the strength and temperament of his son in order to find out what kind of comrade he will become in the future.

Bulba as a military leader

The image of Taras Bulba in the story "Taras Bulba" reveals to the reader a tireless, energetic and enterprising personality. The main character does not know what fatigue and fear are. He knows his subordinates very well, knows how to influence them both in deed and in word. When necessary, it may be appropriate to joke or set the hearts of warriors on fire by delivering an enthusiastic patriotic speech.

The protagonist is perspicacious and cunning, he deftly controls the psychology of the Cossacks and can easily achieve the appointment of a ataman. It is Taras who turns out to be the most far-sighted when a truce allegedly arises between the Poles and the Cossacks.

Camaraderie

The image of Taras Bulba in the story "Taras Bulba" is most revealed in relations with his comrades-in-arms. He treats them like brothers, it was here that Gogol showed all the tenderness of the protagonist, which only he was capable of. The camaraderie of Taras Bulba is most widely demonstrated in the scene when he dies a painful death, but at the same time he does not think about himself, but worries about his comrades who can still be saved. In the last minutes of his life, he nevertheless finds the strength in himself to show the way of salvation to the Cossack brothers.

Taras Bulba - folk hero

The protagonist of the story is the personification of all national traits that the author presents in different characters of this work. The protagonist concentrates the stubbornness of a titan, heroic calmness and harsh humor. The image of Taras Bulba in the story "Taras Bulba" is like a figure cast out of steel, but at the same time rebellious and passionate. He is adamant and proud, at one moment stern and cruel, and at another - generous.

The feat of Taras Bulba

"I gave birth to you, I will kill you," - such was Bulba's last phrase at the moment of reprisal against his youngest son for betrayal. Taras no longer considered Andriy his child, since he betrayed not only his native land, but also all his loved ones. The main character left the lifeless body of his son with a heavy heart.

After the younger offspring died, Taras was more and more imbued with love for the eldest - Ostap. In one battle, Bulba could not save his son. Here the reader can already notice the suffering of the protagonist, when the soul of Taras is revealed from a completely different side. He tricks his way into Warsaw to find Ostap. And he finds him in the square, where he is subject to torture and abuse. With all his last strength, Ostap turns to his father with the question: “Where are you? Do you hear? At this moment, Taras is in great danger, but he forgets about it, responding to the call of his native blood: “I hear!”

This was the last feat of Taras Bulba. The enemies caught him, but he did not lose his pride and honor and met his death with dignity. When Taras was burned at the stake, he already felt the approach of imminent death, but at the same time he looked at his Cossacks, fleeing from the Poles, and shouted: “Boys, to the shore!”

About the story

"Taras Bulba" - a work that tells about the struggle of the Ukrainian people against In his work, the author shows the bonds of friendship that bind two fraternal peoples (Ukrainian and Russian). Nikolai Vasilievich Gogol does not accidentally mention the "Russian strength" of the Cossacks. For him, the Cossacks are serfs who fled from their masters, people from Russian principalities who united to fight for their independence.

The characteristic of the story "Taras Bulba" is focused on the main character. The author did not try to idealize him, in the image of Taras Bulba the small is mixed with the great, rudeness with tenderness. Gogol tried to convey a heroic character, and he succeeded. Even after the death of Taras, his love for his native land and comrades, his will remained invincible.

Thanks to such selfless people, our country survived and retained its independence. This work remains relevant to this day. The story "Taras Bulba" is one of the favorites for many. Strong characters, heroic time - modern people have a lot to learn!

In Gogol's work "Taras Bulba" there is a lot of information about the behavior of Taras himself, his sons Andriy and Ostap. But the wife and mother were described briefly, just a few sentences in such a long story. This was enough for the most attentive readers to imagine the image of the mother.

At the very beginning of the story it is said about the arrival of the sons home. At that moment, for the first time, we were able to meet the whole family, including the mother of Ostap and Andriy. The author talks about how glad and happy the mother was at the time of meeting with her sons. She hugged and kissed them, worried that she would soon have to say goodbye again. These lines in the text speak of her kindness, mercy and compassionate heart. She loved her sons with all her heart and did not want to let go.

The following lines tell how Father Taras asked why his sons did not beat him. Mom calms her husband and hugs, as if protecting, her youngest son. The story also says that the mother was pale, thin and rather old. From this we can conclude: she was very worried and tried to keep the peace in the family.

And for the third and last time the author mentions his mother in his story. Before the departure of Ostap and Andriy on a long journey, the mother could not come to terms with this. She was disappointed and broken because she saw so little of her beloved sons. All night, the loving mother sat next to the beds of Ostap and Andriy, not taking her eyes off them. On the morning of the journey, she blessed them and asked them not to forget, to send news and letters.

This essay was dedicated to the important heroine of the story from the story of N.V. Gogol. It is dedicated to the mother of Ostap and Andriy and the wife of Taras. She was an infinitely kind and strong woman filled with love. We can say that she did not get married successfully, love was only in her youth, but by old age everything died out. I think that the image of the mother is beautifully shown in a small part of the story. She became an important part of the story. The mother raised two beautiful sons and respected her husband. She was quite old and lived only with care and love for her sons. I think her feelings, sufferings, joys of the arrival of her sons show most of the women of that time. But, I was struck by how kind and loving person she was despite the harsh times.

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The mother of both young Cossacks, the wife of old Bulba, “old,” as he himself calls her, is depicted in the story in passing, with features characteristic of an era when a woman was revered not as a person, but as an inferior being, good for nothing. The author did not even mention her name in the story, wishing by this to emphasize the insignificant position of a woman in the environment and era from which the plot will be drawn. By itself, she does not play any role in the story, but is bred only as the mother of the Cossacks, as the mother of the knights; only from this side did the woman in the era under consideration matter.

This is a quiet, driven woman, doomed on the one hand to eternal loneliness in her family, on the other - to the eternal fear of losing her husband and sons in battle, and in peacetime to guess and fulfill all the slightest desires and movements of her power-hungry and stubborn husband. She does not dare to ask her husband for anything, let alone argue with him. When Taras, who had taken a walk, was inflamed with a warrior spirit and announced that the next morning he was leaving with his sons for the Setch, he began to beat pots and flasks, the poor old woman sat sadly on the bench, not daring to object; looking at her sons, with whom she was about to part so soon, she could not refrain from tears, and no one could describe all the silent strength of her grief, which filled her eyes and convulsively compressed lips.

Even in such a matter as love and affection for children, the "old" did not have the right to show her independence. She was deprived by the harsh conditions and concepts of that age even of that natural right, which wise nature did not deprive even wild animals. Taras interrupts her caresses with a stern exclamation: “Enough, howl, old woman. The Cossack is not to mess with the women. You would hide them both under your skirt and sit on them like chicken eggs. Go, go…” The poor old woman seemed to be all woven out of love for children and obedience to her husband. Nothing else can be seen in it. It was a person without rights, without a voice, completely subordinate to the will of his master - a man.

The only area where a woman seemed to have relative freedom was religion. The “old” could pray for her children as much as she wanted. In this respect, neither Taras nor anyone else can interfere with her; she prayed and took advantage of the opportunity to send a blessing to her sons with the captains of the Tarasov regiment, which went on a campaign later. Staying at home, the “old woman” mentally flew after her sons and husband, and all the time she was with them in spirit. One might think that when her dear sons and husband were gone, she was no more in the world: in such a close connection and dependence was placed the life of this woman from the life of men by the conditions of the century.

What did the author want to personify in the image of the mother in the story by N.V. Gogol "Taras Bulba"

In the story "Taras Bulba" Gogol created various images of the Zaporizhzhya Cossacks. He paid much attention to the sons of Taras, Ostap and Andrei. And he wrote quite a bit about their mother.

In the work, we first meet the mother when she meets her sons. "... their pale, thin and kind mother, who stood at the threshold and had not yet had time to hug her beloved children."

Among the strong heroes of the story, we saw a weak, small woman who loves her children and treats her husband with respect. When Taras asked the younger why he didn’t beat him, his mother said: “.. And it will come into your head that a child would beat his father.”

She was very worried that they would be home so little. "... and I won't be able to see enough of them." She did not sleep all night, looked at her children and could not see enough. “My sons, my dear sons! What will happen to you? What awaits you?.. "

Although she had a husband and two sons, she was lonely: she rarely saw children, and Taras "... in a year two or three days, and then there was no rumor about him for several years." In her youth, she suffered insults from Taras and even he beat her, she must have been very beautiful, but quickly aged. All night the mother hoped that the trip would be postponed and that her children would live at home. But this did not happen. “The poor old woman, deprived of her last hope, dejectedly trudged into the hut.”

Before leaving, Taras asked his mother to bless her sons. “Mother, weak as a mother, hugged them, took out two small icons, put them on, sobbing, around her neck ... Don’t forget, sons, your mother ... send at least news about yourself ...” When Taras, Ostap and Andrey were leaving, she ran out for them through the gates, as if she knew she would never see them again.

In the image of the mother of Ostap and Andrey, Gogol showed all the women of Zaporozhye of that harsh time.

Always went to bed early. He lay down on the carpet, covered himself with a sheepskin coat, because the night air was quite fresh and because Bulba liked to hide warmer when he was at home. He soon began to snore, and the whole court followed him; everything that lay in its different corners snored and sang; First of all, the watchman fell asleep, because he was the most drunk for the arrival of the panichs.

Taras Bulba. Feature film based on the novel by N. V. Gogol, 2009

One poor mother did not sleep. She leaned down to the head of her dear sons, who lay nearby; she combed their young, carelessly tousled curls with a comb and moistened them with tears; she looked at them all, looked with all her senses, all turned into one sight and could not see enough. She fed them with her own breast, she raised them, nurtured them - and only for a moment she sees them in front of her. “My sons, my dear sons! what will happen to you? what awaits you? she said, and the tears stopped in the wrinkles that changed her once beautiful face. In fact, she was pitiful, like any woman of that daring century. She only lived for a moment in love, only in the first fever of passion, in the first fever of youth, and already her stern seducer left her for a saber, for comrades, for carousing. She saw her husband two or three days a year, and then for several years there was no news of him. And when she saw him, when they lived together, what kind of life was she? She endured insults, even beatings; she saw out of mercy only the caresses rendered, she was some strange creature in this gathering of womanless knights, on whom the riotous Zaporozhye threw its harsh coloring. Youth without pleasure flashed before her, and her beautiful fresh cheeks and feathers without kissing faded and became covered with premature wrinkles. All love, all feelings, everything that is tender and passionate in a woman, everything turned into one maternal feeling in her. She, with heat, passion, with tears, like a steppe gull, hovered over her children. Her sons, her dear sons are taken from her, taken in order to never see them again! Who knows, maybe at the first battle the Tatar will cut off their heads and she will not know where their abandoned bodies lie, which the bird of prey will peck at; and for every drop of their blood she would give herself all. Sobbing, she looked into their eyes, when the almighty sleep was already beginning to close them, and thought: “Maybe Bulba, waking up, will delay the departure for two days; maybe he decided to go so soon because he had drunk a lot.

The moon from the heights of the sky had long been illuminating the whole yard filled with sleeping people, a thick bunch of willows and high weeds, in which the palisade surrounding the yard sank. She kept sitting in the heads of her dear sons, did not take her eyes off them for a minute and did not think about sleep. Already the horses, smelling the dawn, all lay down on the grass and stopped eating; the upper leaves of the willows began to murmur, and little by little the murmuring stream descended down them to the very bottom. She sat up until daylight, was not at all tired, and wished inwardly that the night would last as long as possible. From the steppe came the sonorous neighing of a foal; red streaks shone brightly in the sky.

Bulba suddenly woke up and jumped up. He remembered very well everything he ordered yesterday.

- Well, lads, sleep well! It's time, it's time! Drink the horses! Where is old? (So ​​he used to call his wife.) Quickly, old woman, prepare us to eat; the path is great!

The poor old woman, deprived of her last hope, dejectedly trudged into the hut. While she, with tears, was preparing everything that was needed for breakfast, Bulba was giving out his orders, fiddling around in the stable, and himself choosing the best decorations for his children. The bursaks suddenly changed: instead of their former soiled boots, red morocco boots with silver horseshoes appeared on them; bloomers as wide as the Black Sea, with a thousand folds and with gatherings, pulled up with golden glasses; fastened to the spectacle were long straps, with tassels and other trinkets, for the pipe. Kazakin of scarlet color, cloth bright as fire, was girded with a patterned belt; chased Turkish pistols were pushed into the belt; the saber rattled at his feet. Their faces, still slightly tanned, seemed to have grown prettier and whiter; the young black mustache now somehow more vividly set off their whiteness and the healthy, powerful color of youth; they were good under black ramskin caps with gold tops. As soon as the poor mother saw them, she could not utter a word, and the tears stopped in her eyes.

- Well, sons, everything is ready! nothing to delay! said Bulba at last. “Now, according to Christian custom, everyone needs to sit down in front of the road.

Everyone sat down, not even turning off the lads who stood respectfully at the door.

“Now bless your children, mother!” Bulba said. “Pray to God that they fight bravely, that they always defend the honor of knights, that they always stand for the faith of Christ, otherwise, it would be better if they perished, so that their spirit would not be in the world!” Come, children, to the mother: a mother's prayer saves both on water and on earth.

The mother, weak as a mother, embraced them, took out two small icons, put them on, weeping, around their necks.

“May God protect you… Mother of God… Don’t forget, sons, your mother… send at least news about yourself…” She could not speak further.

- Well, let's go, children! Bulba said.

Saddled horses stood at the porch. Bulba jumped on his Devil, who recoiled furiously, feeling a twenty-pound burden on him, because Taras was extremely heavy and fat.

When the mother saw that her sons had already mounted horses, she rushed to the smaller one, whose facial features expressed more than some kind of tenderness: she grabbed him by the stirrup, she stuck to his saddle and, with despair in her eyes, did not let him out of their hands. Two burly Cossacks took her carefully and carried her into the hut. But when they rode out the gate, with all the lightness of a wild goat, incongruous with her years, she ran out the gate, stopped the horse with incomprehensible strength, and embraced one of her sons with some kind of mad, insensible ardor; she was taken away again.

(See summary and full text of Gogol's story "Taras Bulba".)