Characteristics and image of the tick in the play at the bottom of the bitter essay. Characteristics and image of a tick in a play at the bottom of a bitter essay What does a tick do in a play at the bottom
Your suffering will end soon. Your mind will clear up.
D. Kharms. "Window"
The actor and Klesch are not the key figures in Gorky's play. They are typical images of former people. Drawing their characters, Gorky avoided bright, contrasting strokes. These figures are static, unchanging. Gorky does not give them the opportunity to reveal themselves to the end, to philosophy, as happens with Luke, or Satin, or the Baron. The tick is doing something all the time. In the first act he tries on the keys to old locks, in the last act he “repairs the harmony, sometimes trying the frets”. He is a locksmith. Former worker. Work is the meaning of his life. The tick is burdened by the life of Kostylev's rooming house, tormented by idleness: "There is no work ..." - he shouts to Bubnov.
The phenomenon of the Actor is marked by the most catchphrase of the century: "My body is poisoned by alcohol." He pronounces it proudly, as from the stage. His memory is a complete mess. All her past life was poured into her. Nothing left. Luke pushed something into his heart, kindled hope. After all, the Actor in his soul is Hamlet. His surname is Sverchkov-Zavolzhsky, muddy images of the past are still floating in his head: “In the drama “Hamlet” it says: “Words, words, words.” Good thing... I played the gravedigger in it." After reading "Nadne", I was not too lazy and opened "Hamlet". There are two gravediggers. First and second. The second utters only a few lines in the course of the play. I think this is the role of Sverchkov-Zavolzhsky. The actor, distorting, quotes excerpts from Hamlet's monologues. He is still playing his tragedy. It is infinitely theatrical and therefore curious. He keeps reciting: “Three kopecks for me! .. - and, immediately coming to his senses: - But why do I need three kopecks?” He is dramatic and knows how to hold a pause. He had already come to terms with the truth of the "naked man".
The Tick differs from the Actor in that it lacks composure. He wants to work. He intervenes in conversations, and dragged all sorts of rubbish into the rooming house. He beat his wife to death. True, when Anna dies, something in him thaws, but quite imperceptibly, and, it seems, he imagined. Here is his funeral speech: “It is necessary to bury ... but I have forty kopecks in total ...” - it sounds, in any case, touching.
The tick sells everything to bury Anna: an anvil, a tool, leaves nothing. He cares about simple things. Who will “put someone in jail” - “Vaska Vasilisa, or is she him?”. And about the elder Luke he cleverly remarked: “He beckoned, but did not show the way.” Kleshch does not understand that everyone should look for the way, even alone.
The actor is all in gesture, all in pose. He liked the phrase about alcohol. He says it where it is necessary and not necessary. He is sick, he coughs, he knows that he will die, and it is scary to die. To him, all world literature is conceived in one poem by the author “B. Beranger". And he would like to get to a city with a free hospital, but he only understands that there is no road there, it is ordered. And when he realizes this to the end, life loses its ultimate value and meaning for the Actor. "Gone!" - he says, leaving for a wasteland to die.
The tick at the end of the play resigns itself. After drinking a glass of vodka, he says: "Nothing ... Everywhere people ... At first - you don't see it ... then - you look, it turns out that all people ... nothing." Humility is his real tragedy. The actor is trying to leave Kostylev's world at the cost of his own life. The tick pays the same price to stay at the bottom. He reassures himself - everyone is equal, everyone is the same in their poverty.
The tick is a character in M. Gorky's play "At the Bottom", one of the guests of the rooming house, a locksmith by profession, Anna's husband. At the beginning of the play, he idealizes hard work, considering this the only way out. He dreams of returning to a normal life with the help of honest labor. The tick is opposed to other lodgers who prefer to do nothing. He condemns their way of life, believing that they are "at the bottom". However, his dreams are shattered when faced with harsh reality.
The only way to get out of poverty, in his opinion, is hard work, but he loses his job. It turns out that life is not so simple and logical. Along with work, he also loses faith, which puts him on the same level with other residents of the rooming house. This character is also characterized by extraordinary callousness. So, he behaves rather rudely and cruelly with his dying wife. When Anna asks not to scream or swear, he only reproaches her for whining. When she suffocates and asks to open the door for a while, he refuses for fear of catching a cold. And even her death does not bother him, except perhaps the cost of the funeral.
At the end of the work, he resigns himself to his position and begins to drink with
Your suffering will end soon.
Your mind will clear up.
D. Kharms. "Window"
The actor and Klesch are not the key figures in Gorky's play. They are typical images of former people. Drawing their characters, Gorky avoided bright, contrasting strokes. These figures are static, unchanging. Gorky does not give them the opportunity to reveal themselves to the end, to philosophy, as happens with Luke, or Satin, or the Baron. The tick is doing something all the time. In the first act he tries on the keys to old locks, in the last act he “repairs the harmony, sometimes trying the frets”. He is a locksmith. Former worker. Work is the meaning of his life. The tick is burdened by the life of Kostylev's rooming house, tormented by idleness: "There is no work ..." - he shouts to Bubnov.
The phenomenon of the Actor is marked by the most catchphrase of the century: "My body is poisoned by alcohol." He pronounces it proudly, as from the stage. His memory is a complete mess. All her past life was poured into her. Nothing left. Luke poked something into his heart, kindled hope. After all, the Actor in his soul is Hamlet. His surname is Sverchkov-Zavolzhsky, muddy images of the past are still floating in his head: “In the drama “Hamlet” it says: “Words, words, words.” Good thing... I played the gravedigger in it." After reading "At the Bottom", I was not too lazy and opened "Hamlet". There are two gravediggers. First and second. The second utters only a few lines in the course of the play. I think this is the role of Sverchkov-Zavolzhsky. The actor, distorting, quotes excerpts from Hamlet's monologues. He is still playing his tragedy. It is infinitely theatrical and therefore curious. He keeps reciting: “Three kopecks for me! .. - and, immediately coming to his senses: - But why do I need three kopecks?” He is dramatic and knows how to hold a pause. He had already come to terms with the truth of the "naked man".
The Tick differs from the Actor in that it lacks composure. He wants to work. He intervenes in conversations, and dragged all sorts of rubbish into the rooming house. He beat his wife to death. True, when Anna dies, something in him thaws, but quite imperceptibly, and, it seems, he imagined. Here is his funeral speech: “It is necessary to bury ... but I have forty kopecks in total ...” - it sounds, in any case, touching.
The tick sells everything to bury Anna: an anvil, a tool, leaves nothing. He cares about simple things. Who will “put someone in jail” - “Vaska Vasilisa, or is she him?”. And about the elder Luke he cleverly remarked: “He beckoned, but did not show the way.” Kleshch does not understand that everyone should look for the way, even alone.
The actor is all in gesture, all in pose. He liked the phrase about alcohol. He says it where it is necessary and not necessary. He is sick, he coughs, he knows that he will die, and it is scary to die. To him, all world literature is conceived in one poem by the author of B-Beranger. And he would like to get to a city with a free hospital, but he only understands that there is no road there, it is ordered. And when he realizes this to the end, life loses its ultimate value and meaning for the Actor. "Gone!" - he says, leaving for a wasteland to die.
The tick at the end of the play resigns itself. After drinking a glass of vodka, he says: "Nothing ... Everywhere people ... At first - you don't see it ... then - you look, it turns out that all people ... nothing." Humility is his real tragedy. The actor is trying to leave Kostylev's world at the cost of his own life. The tick pays the same price to stay at the bottom. He reassures himself - everyone is equal, everyone is the same in their poverty.
Mite
Characteristics of a literary hero
The problem of a real way out of the situation is connected with the image of the locksmith Klesch. He wants to return to a “normal” life through hard, honest work. At first, K. proudly opposes himself to those around him, believes in the feasibility of his plan, and works hard. But then his dream is shattered by harsh reality: he loses his job, goes through a crisis. Also, this character is particularly callous. His dying wife does not cause him any sympathy. At Anna's request not to shout, not to quarrel, he is the first to respond with a replica: “I whined!” Anna is suffocating, asks to open the door to the hallway, but K. refuses to do so, fearing to catch a cold.
At the end of the play, he leaves his dreams of work, reconciles with the “idle tramps”, gets drunk along with Satin, who preaches the principle of “non-doing”.
Essay on literature on the topic: Tick (At the bottom of Gorky)
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