Bezhin meadow description of pictures of nature. Composition “Pictures of nature in the story I
In the article we will talk about the cycle of stories by I.S. Turgenev - "Notes of a hunter". The object of our attention was the work "Bezhin Meadow", and especially the landscapes in it. A brief description of nature in the story "Bezhin Meadow" is waiting for you below.
About the writer
Ivan Sergeevich Turgenev is one of the greatest Russian writers.
This writer, playwright and translator was born in 1818. He painted in the genre of romanticism, turning into realism. The latest novels were already purely realistic, while the haze of "world sorrow" was also present in them. He also introduced the concept of "nihilist" into literature and revealed it using the example of his heroes.
About the story "Bezhin Meadow"
The story "Bezhin meadow" is included in the cycle "Notes of a hunter". The history of the creation of this cycle of independent stories is interesting. Together they create an amazing border of landscapes, excitement, anxieties and harsh nature (and the description of nature in the story "Bezhin Meadow" is an amazing reflection of a person's feelings in the mirror of the surrounding world).
When the writer returned to Russia after a trip abroad, in 1847 the Sovremennik magazine began its long journey. Ivan Sergeevich was offered to publish a small work on the pages of the issue. But the writer believed that there was nothing worthy, and in the end he brought the editors a short story "Khor and Kalinich" (in the magazine it was called an essay). This "essay" had the effect of an explosion, readers began to ask Turgenev in multiple letters to him to continue and publish something similar. So the writer opened a new cycle and began, like precious beads, to weave it from stories and essays. A total of 25 stories were published under this title.
One of the chapters - "Bezhin meadow" - is known for amazing pictures of nature, the atmosphere of the night. The description of nature in the story "Bezhin Meadow" is a real masterpiece. The meadow and the forest, the night sky, and the fire seem to live their own lives. They are not just background. They are full-fledged characters in this story. The story, which began with a description of early morning and dawn, will lead the reader through a hot summer day, and then through a mystical night in a forest and a meadow with the mysterious name "Bezhin".
Description of nature in the story "Bezhin Meadow". Summary.
On a very good July day, the hero of the story went hunting for black grouse. The hunt was quite successful, with a shoulder bag full of game, he decided that it was time to go home. Climbing the hill, the hero realized that in front of him were completely alien places. He decided that he "turned too right", he went down the hill in the hope that he would now rise from the right side and see familiar places. The night was coming on, but the way was still not found. Wandering through the forest and asking himself the question "So where am I?", the hero suddenly stopped in front of an abyss, into which he almost fell. Finally, he realized where he was. A place called Bezhin Meadow stretched out before him.
The hunter saw nearby lights and people near them. Moving towards them, he saw that they were boys from nearby villages. They pastured a herd of horses here.
We should also say about the description of nature in the story "Bezhin Meadow". It surprises, fascinates, and sometimes scares.
The narrator asked to stay with them for the night and, in order not to embarrass the boys, pretended to be asleep. The children began to tell scary stories. The first is about how they spent the night at the factory and there they were frightened by the "brownie".
The second story is about the carpenter Gavril, who went into the forest and heard the call of a mermaid. He was frightened and crossed himself, for which the mermaid cursed him, saying that "he will be killed all his life."
The description of nature in the story "Bezhin Meadow" serves not only as a decoration for these stories, it complements them with mysticism, charm, and mystery.
So until dawn, the guys remembered scary stories. The boy Pavlusha fell deeply into the soul of the author. His appearance was completely unremarkable, but he looked very intelligent and "power sounded in his voice." His stories did not frighten the children at all, a rational, wise answer was ready for everything. And when, in the midst of the conversation, the dogs barked and rushed into the forest, Pavlusha rushed after them. Returning, he calmly said that he expected to see a wolf. The courage of the boy struck the narrator. The next morning he returned home and often remembered that night and the boy Pavel. At the end of the story, the hero sadly says that Pavlusha, some time after they met, died - fell from a horse.
nature in the story
Pictures of nature occupy a special place in the story. The description of nature in the story "Bezhin Meadow" by Turgenev begins the story.
The landscape changes somewhat when the hero realizes that he is lost. Nature is still beautiful and majestic, but it inspires some kind of elusive, mystical fear.
When the boys leisurely conduct their children's speeches, the meadow around seems to listen to them, sometimes supporting with eerie sounds or flying a dove that has come from nowhere.
The role of the description of nature in the story "Bezhin Meadow"
This story is famous for its landscapes. But he tells not about nature, but about the story with the main character, about how he got lost, went to Bezhin Meadow and stayed overnight with the village boys, listening to their scary stories and watching the children. Why are there so many descriptions of nature in the story? Landscapes are not just an addition, they tune in the right way, captivate, sound like music in the background of the story. Be sure to read the story in full, it will surprise and fascinate you.
In his story "Bezhin Meadow" I. S. Turgenev devotes a lot of space to the description of nature. Nature in it is like one of the characters, perhaps the most important thing. So, the author wanted to emphasize the uniqueness and beauty of the expanses of the Russian hinterland. The story begins with a description of nature, and ends with it. This story from the "Hunter's Notes" cycle is literally permeated with artistic landscape sketches. When we read it, buckwheat fields come to life before our eyes, the aromas of wormwood, and most importantly, the dry and fresh air of a July night.
According to the plot, the narrator Ivan Petrovich got lost in the Tula province, hunting for black grouse. But what kind of pictures open before him? Hardly any other author could describe the surrounding nature in such a way. A cauldron-shaped hollow with gently sloping sides, a vaguely clear sky, grass whitening like a tablecloth, a wide river enveloping the plain in a semicircle, steel reflections of water, frequent aspen forest, purple fog - all these and other epithets are applicable to Russian nature in the work "Bezhin Meadow".
The day turned out to be wonderful for the hunter. He even managed to stuff his game bag with black grouse. The only worry was that he was lost. But soon he came to a huge plain, over which there was a cliff. And under that cliff, he noticed a campfire, several people and grazing horses. The hunter went down to ask the guys for an overnight stay. As it turned out, they were no more than twelve or fourteen years old, and the youngest Vanka was seven years old at all. The boys grazed the horses in the meadow and whiled away the night by the fire.
Along the way, they told each other scary stories. The hunter also listened to them out of the corner of his ear and watched the guys, their habits, characteristic behavior out of interest. The strongest in spirit was Pavlusha - outwardly unsightly, but full of firm determination boy. He was not the oldest of them, but all the other guys turned to him with questions. Even the animals obeyed him. He himself had natural courage. He could go to the wolf without a weapon, go alone in the middle of the night to the river for water.
According to the narrator, it was a wonderful evening surrounded by village boys. The atmosphere was amazing and inviting. The air with the "smell of a Russian summer night" seemed fresh and languid. The guys kept telling scary stories, and at key moments, nature, as if heeding their words, sent them small surprises. For example, a lingering sound from silence, the restless barking of dogs, a white dove flying up to the fire from nowhere, a sharp cry of a heron, etc. All these pictures convey the anxiety and tension of the guys, emphasizing their mood.
The starry sky plays an important role in the story, and little Vanya calls the beauty of the night sky "God's stars". The description of nature accompanies the whole story and even at the end the author helps the reader to feel the unusually bright and beautiful landscape. Through the eyes of the narrator, we see a new, fresh day with cool dew and "streams of young hot light." He again meets familiar boys. Rested, they rush past him in a cheerful herd.
In the story "Bezhin Meadow" by Ivan Sergeevich Turgenev, the landscape plays an important role. The story begins with a description of an early July morning, where the narrator describes all the beauty of nature. He writes that such a morning is the best, the weather has already settled down and in the mornings it is not cold, but not hot either. The story is told by a hunter who came to the forest and describes all the beauty of nature. The narrator describes the clouds so beautifully that the picture is mesmerizing.
He says that the clouds stand motionless due to calm weather and form bizarre patterns. From the description of this picture, you can understand how good the mood of the hunter is, and he admires the surrounding beauty. Then he describes the onset of evening, when these same clouds turn lavender and darkness slowly begins to creep in.
The following picture is described when the hunter got lost in the forest and cannot find a way out. He says that he went in the wrong place, and he had to go down to the valley, where the hunter became terrified. Here the narrator describes that the grass in the valley is wet and tall, he felt uneasy, and he quickly wanted to get to the hill in order to see the further road. Climbing up another hill, the hunter realized that he had completely lost his way, and he felt uneasy.
The landscape in the story conveys not only the beauty of Russian nature, but also the feelings of the characters themselves. Here the hunter sees a fire and decides to ask for a lodging for the night, near the fire were local boys who drove out a herd of horses for the night. The boys accept the hunter and he calms down. Here the landscape takes on a different picture and plays with different colors. The narrator listens to the stories of the guys, in which they talk about goblin, werewolves and mermaids.
The hunter opens up a different picture of swamps and trees, on which mermaids sit and destroy people. Next, the narrator describes the dawn, which had just begun and a cool breeze began to walk between the leaves of trees and bushes. The narrator is going home and leaving the guys, having walked a little, morning came and again the warm rays illuminated the earth.
Composition Landscape in Turgenev's story Bezhin meadow
Turgenev's stories are always full of colorful descriptions of nature, especially in the cycle "Notes of a Hunter". The author skillfully paints landscapes, in the smallest detail. When you read the works of Ivan Sergeevich, you are completely immersed in the atmosphere of what is happening.
Reading the story "Bezhin Meadow", you clearly imagine the forest through which the hunter was walking. You can almost hear the rustle of leaves. Imagine a clear blue sky, and a gentle spill of dawn over it. At the beginning of the story, the description of nature captures attention and conveys the beauty of the views that surround the protagonist, as well as the mood of the hunter.
In the beginning it is said about summer in general. Sunny July days are described, lightness, warmth, serenity are felt. When it is told about the hunter himself and how he walks satisfied with his prey, slightly tired, his fatigue just makes it possible to feel the outline of the landscape: “The air is still bright, but no longer illuminated by the sun”, “Cold and thickening shadows”.
Further, when the hunter realizes that he is lost, the author again conveys his anxiety through nature: “Darkness is pouring”, “Night is like a thundercloud”, “Gloomy darkness”. You immediately understand how the main character is going through, how a feeling of fear is slowly growing in him, because of the likelihood of staying on a dark night in the middle of an unfamiliar forest. When the hunter went out into the meadow and met the shepherd boys sitting by the fire, again nature around him describes his condition. The hero feels calm, the fear of staying in the forest in the middle of the night has receded and now he can not worry, relax and listen to the stories of the guys.
The boys told various mystical stories and fables, and here nature gives these stories mystery and mystery. Then out of nowhere, a dove appeared and abruptly flew by, then something rang. At the end of the story, the writer again shows us how the hero feels when dawn begins and he goes home. In the words: “Everything stirred, woke up, sang, rustled, spoke,” together with the hunter you feel relief that just about, very soon he will be at home. Nothing else threatens the hero of the story.
The role of the landscape in this work is very important, it allows readers to delve deeper into the plot and feel like a participant in the events described by the author. As if you are sitting next to the guys and the hunter, by the fire in the Bezhino meadow and listening to various interesting stories.
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Pakhomov Alexey Fedorovich (1900-1973) - a famous Soviet artist, painter, graphic artist, illustrator. In 1971 he was awarded the title of People's Artist of the USSR. Here you can see one of the wonderful works of Alexey Pakhomov - a series of illustrations for the story by I.S. Turgenev "Bezhin Meadow". In his illustrations, he depicted the main characters of the story - Fedya, Pavlusha, Ilyusha, Kostya, Vanya and the hunter.
Pakhomov's works are considered the best graphic illustrations for the story, which entered the history of Russian and world literature. It seems that this is how every reader imagines the characters. The story, which is accompanied by these drawings, becomes many times more realistic and deeper. Alexey Pakhomov managed to convey the special atmosphere of the work, the image of rural simplicity and purity.
The best descriptions will be the words of the artist Pakhomov himself, who shared with readers and viewers his thoughts on the creation of a series of illustrations:
« As a child, I happened to be in the night more than once. The charm of a summer night by the fire, the interest and horror of stories about various devilry, and thanks to this horror, the feeling of even greater closeness and friendship with my comrades is well known and dear to me, like most childhood memories. This poetry of childhood, the appearance of my friends and comrades, similar to Turgenev's boys, similar to the similarity that exists in people who constantly live in the village, I wanted to depict in the drawings for Bezhin Meadow. Turgenev's story gives a very detailed description of the appearance of the boys, their faces, eyes, lips; their clothes are described in detail and even the poses in which the guys settled down by the fire. But you can draw eyes, a nose, an oval of a face, hair, as if they are exactly the same as indicated in the text, and, however, you will not get a living person. In order for the listed features of a person to come to life, it is necessary to imagine him in action. And there is little action in Bezhina Meadow, only conversations and scary stories.
I decided, first of all, to clarify for myself which story and which phrase belongs to this or that boy. Against the name of each of them, I entered everything that they said or did, and that's when the images of heroes began to appear in the minds and the features of their faces, described in such detail by Turgenev, began to come to life.
And with a cursory reading, Pavlush is remembered as the central and most attractive image. Pavlusha is the least infected with rural beliefs. He owns one story about a solar eclipse, about the "doomsday", about how the cooper Vavila was mistaken for Trishka. Pavlushin's story is the only one in the whole book where there is no devilry and in which it is precisely superstitious people who are presented in a ridiculous and absurd way. For terrible, frightening night sounds and phenomena, Pavlusha finds simple explanations. “This is a heron screaming”, or “there are such tiddly frogs ... that scream so plaintively”, or “to know that he has strayed from home” (about a white dove). Pavlusha is active and bold: he boils “potatoes”, goes to the river for water and “without a twig in his hand, at night, he, without any hesitation, rode alone to the wolf ...” And when “suddenly, somewhere in the distance, there was a drawn-out , ringing, almost groaning sound "and" the boys looked at each other, shuddered ... - The power of the cross is with us! Ilya whispered. Pavlusha calms everyone with a friendly cry: - Oh, you crows! .. why are you excited? - "What a nice boy!" - we can say together with Turgenev.
Fedya "said little, as if afraid to lose his dignity," he did not tell a single story. A short conversation between Fedya and Vanya about Anyutka, in my opinion, subtly complements Fedya's portrait: Fedya is the oldest, lives in contentment and begins to take an interest in girls.
Ilyusha "knew all the rural beliefs better than others", and, in fact, all the terrible stories belong to him alone, the description of Ilyusha's appearance came to life for me. It seems that all the ignorance and darkness of the old, serf Russian village fit in the head of this boy, all his stories and remarks are full of some kind of superstitious, fanatical conviction. Kostya is more sympathetic. He owns only one story about a mermaid (“Auntie told him this story”). Kostya is still small (“about ten years old”), and we forgive him more easily for his darkness, for him these are still children's fairy tales. If a village medicine man and sorcerer can then come out of Ilyusha, then Kostya is just an impressionable boy, and if he later believes in the supernatural, he will believe in himself, while Ilyusha has an irresistible need to impose his superstitions on others.
About the last boy, Vanya, Turgenev says that “he was lying on the ground, quietly crouching under the angular matting,” and further: “he put his fresh face out from under the matting, leaned on his fist and slowly raised his large, quiet eyes upward.”
Having made an idea of the appearance of each boy, I tried to make their portraits lively and convincing. I strove to convey in these portraits the feeling of the distant nineteenth century, the feeling of a dark night, a fire, the proximity of horses grazing all around, and I also strove to ensure that the pencil of these drawings fell on paper naturally and beautifully.».
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"... the morning was beginning. The dawn had not yet blushed anywhere, but it was already turning white in the east ...". Turgenev's landscape gives an earlier picture of dawn in time: at Makovsky, the east is already colored, the golden-scarlet tone of the dawn is already approaching pale gray. More consonant with the picture is the second, final landscape in the story. This landscape, as it were, continues what is visible in the picture: here is a "thinning fog" that covers the horizon, and "scarlet, then red, golden streams of young, hot light" illuminating the faces and figures of children.
Which image of nature is more complete and versatile: in a picture or verbal? It is impossible to depict the blinking of stars, the variability of the color of the sky, the appearing dampness (dew), the sounds that were heard, the fluttering of the breeze ... On the canvas, the artist captured one moment of the landscape - in the words of the writer, a picture of dawn and sunrise is given in motion. (From the book: Smirnov S.A. Teaching literature in grades 5-8. - M .: Uchpedgiz, 1962)
"Bezhin Meadow" is a work about the complex relationships between man and nature, which, according to Turgenev, has not only a "welcomingly radiant", but also a formidably indifferent face. In a letter to Bettina Arnim in 1841, Turgenev wrote: "Nature is a single miracle and a whole world of miracles: every person should be the same - that's what he is ... What would nature be without us - what would we be without nature? And both are unthinkable!.. how infinitely sweet - and bitter - and joyful and at the same time hard life!<...>One has only to go out into the open field, into the forest - and if, despite all the joyful state of the soul, you still feel in its innermost depths some kind of constriction, inner constraint, which appears just at the moment when nature takes possession of man. Turgenev I. S. Complete collection of works and letters. Letters. - M.; L., 1961. - V. 1. - P. 436.)
Pictures of nature are closely connected with the content of the story "Bezhin Meadow". Their role is different.
The description of the hunter's wanderings, the story of the feeling of fear that seized him when he got into the hollow, helps to better understand what effect the pictures of the night nature were supposed to produce on the illiterate village children. The mystery, anxiety of the situation prompts the boys the themes of their scary stories.
The picture of a beautiful July day with its soft colors is in tune with the characters of the boys. It allows you to better understand the discreet inner beauty of children, the loving attitude of the author towards them.
The description of the early morning ends the story optimistically. A feeling of joy and confidence fills the soul of the writer. Many contemporaries saw in the words "the morning began" a great faith in the fate of Russia, its future. These lines echo the prose poem "The Russian Language": "But one cannot believe that such a language was not given to a great people!" Yu.V. Lebedev writes: “Bezhin Meadow opens and closes with the rising of a mighty luminary, one of the best stories about Russian nature and its children. In the Hunter’s Notes, Turgenev created a single image of a living poetic Russia, crowned with a life-affirming sunny nature. In peasant children, living in union with her, he saw the "embryo of future great deeds, great national development" (Yuri Lebedev. Turgenev. - M .: Young Guard, 1990. ZhZL)